|
Peter Land
Born 1966, Aarhus,
Denmark
Lives and works
in Copenhagen, Denmark
Education
| 1988
- 94 |
The
Royal Danish Academy of Fine Art, Copenhagen |
| 1994
- 95 |
Goldsmith
College, London |
Solo exhibitions
| 2009 |
Peter Land,Dark Rococco, Galleria Sonia Rosso, Torino, Italy |
| |
Peter Land, The Lake, Turku Art Museum, Turku, Finland |
| 2008 |
Darlings, fondazione march, Padova, Italy |
| |
Darlings, Landesgalerie Linz, Linz, Austria |
| 2007 |
Darlings, Kunstforeningen
Gl. Strand, Copenhagen, Denmark (catalogue) |
| 2006 |
The First Day at School, Galleri Nicolai Wallner, Copenhagen,
Denmark |
| 2005 |
Hasty
Departure, Espai 13, Fundación Miró, Barcelona,
Spain |
| 2004 |
Galleria
Sonia Rosso, Turin, Italy |
| |
Nemo
on the Borderline, Galleri Nicolai Wallner, Copenhagen, Denmark |
| 2003 |
The
Ride, Salzburger Kunstverein, Austria |
| 2002 |
MAMCO,
Musee d'art moderne et contemporain, Geneve, Switzerland |
| |
The
Ride, X-rummet, Statens Museum for Kunst, Copenhagen, Denmark
(catalogue) |
| |
Galerie
Emmanuel Perrotin, Paris, France |
| 2001 |
Villa
Markel, Galerie der Stadt Esslingen, Esslingen, Germany (catalogue)
|
| |
Herzliya
Museum of Art, Herliya, Israel |
| 2000 |
Kunsthaus
Glarus, Glarus, Switzerland. (catalogue) |
| |
An
Introduction to my Videoworks, The Lux, Centre for Film, Video
& Digital Arts, London, England |
| |
Stadtgalerie
Kiel, Kiel, Germany. (catalogue) |
| |
Galleri
Nicolai Wallner, Copenhagen, Denmark |
| |
The
Lake, Klosterfelde, Berlin, Germany |
| 1999
|
Tanja
Grunert & Klemens Gasser, New York, USA |
| |
Bahnwärterhaus,
Galerie der Stadt Esslingen, Esslingen, Germany |
| |
Kunsthaus
Glarus, Glarus Schweitz Centre D'art Contemporain, Fribourg,
Switzerland |
| |
Centre
D'art Contemporain, Fribourg, Switzerland |
| 1998 |
The
Video Gallery, Museum of Modern Art Chicago, IL, USA |
| |
Project
space, Cultural Centre of Fundació La Caixa, Lieda, Spain |
| |
The
Cellist, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Sonia
Rosso Galeria, Pordenone, Italy (catalogue) |
| |
C/O
Atle Gerhardsen, Oslo, Norway |
| |
Ynglingagatan,
Stockholm, Sweden |
| 1997
|
Galleri
Nicolai Wallner. Copenhagen, Denmark |
| |
Wiener
Secession, Wien, Austria (catalogue) |
| 1996 |
Step
ladder blues, Galleri Nicolai Wallner, Copenhagen (catalogue)
|
| 1995 |
Pink Space, LXX, rhus, Denmark |
| |
Pink
Space, NZET Projekt, Gent, Belgum |
| 1993
|
Another
State of Mind, Globe Gallery, Copenhagen, Denmark |
Group exhibitions (selected)
| 2010 |
Handlinger, Performance- og lydkunst, Museet for Samtidskunst, Roskilde, Denmark |
| |
Everyday Ideologies - Zeitläufe Lebenswege, Kunstmuseum Kloster, Magdeburg, Germany |
| 2009 |
Kunstfehler - Fehlerkunst, Halle 14, Leipzig, Germany |
| |
Gestern oder im 2. Stock - Karl Valentin, Komik und Kunst seit 1948, Münchner Stadtmuseum, München, Germany |
| |
While we are waiting (for the new space), Galleri Nicolai Wallner, Copenhagen, Denmark |
| 2008 |
Sound of Art. Music in the Visual Arts. Museum der Moderne Mönchsberg, Salzburg, Austria |
| |
Socle du Monde, Herning Kunstmuseum, Herning, Denmark |
| |
Laughing in a Foreign Language, The Hayward, London, United Kingdom (catalogue) |
| |
15 Years Anniversary Exhibition, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Contemplating modern art, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
176 Gallery, London, United Kingdom |
| |
SuperNatural, Centra Cultural Andtrax, Mallorca, Spain |
| 2007 |
Idylle.
Traum und Trugschluss, Galerie der Stadt Remscheid, Remsheid, Germany |
| |
Passion for Art, Essl Museum, Klosterneuburg, Vienna, Austria (catalogue) |
| |
(H)EROS, Musée d'Art moderne et d'Art contemporain de la Ville de Liège, Liège, Belgium |
| |
Comix, Brandts, Odense, Denmark (catalogue) |
| |
IMAGES OF MAN today, ARKEN Museum for Moderne Kunst, Ishøj, Denmark |
| |
Idilio I, DA2- Domus Artium 2002, Salamanca, Spain |
| |
All
about Laughter, Mori Art Museum, Tokyo, Japan |
| |
Silly
Adults, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
her(his)tory,
Museum of Cycladic Art, Athens, Greece |
| |
Scheitern,
Landesgalerie Linz, Linz, Austria |
| 2006 |
Art,
Life & Confusion, October Art Salon, Belgrade, Serbia |
| |
Idylle.
Traum und Trugschluss, Sammlung Falckenberg, Hamburg, Germany |
| |
Fremd bin ich eingezogen, Kunsthalle Fredericianum, Kassel, Germany |
| |
47th October Salon, Belgrade, Serbia |
| |
Flowers in Contemporary Art, Benaki Museum, Athens, Greece |
| |
5 Tage bis zum Ende der Kunst, Kunsthalle Fredericianum, Kassel, Germany |
| |
Goethe abwärts- deutsche Jungs etc., Mönchehaus-Museum Goslar, Goslar, Germany |
| |
Nothing
But Pleasure, BAWAG Foundation, Vienna, Austria |
| |
FAST video, Museet for Samtidskunst, Roskilde, Denmark |
| |
Bjerge i dansk kunst, Herning Kunstmuseum, Herning, Denmark |
| |
Hit
the North, Nordic Film and Videoart, Filmform, Stockholm, Sweden |
| |
Sip
My Ocean, Louisiana Museum of Modern Art, Humlebæk, Denmark |
| |
Mission:
Reality, Museet for samtidskunst, Roskilde, Denmark |
| |
Neo-Sincerity:
The Difference between the Comic and the Cosmic is a Single
Letter, Apexart in Tribeca, New York, USA |
| |
What
makes you and I different, Tramway, Glasgow, Scotland |
| 2005 |
Fairy
Tales Forever, ARoS, Århus, Denmark |
| |
When Humour Becomes Painful, Migros Museum für Gegenwartskunst, Zurich, Switzerland |
| |
Spielräume, Stiftung Wilhelm Lehmbruck Museum, Centre of International Sculpture, Duisburg, Germany |
| |
Idependent
Curator's International, Situation Comedy: Humor in Recent Art |
| |
Chronos, Cesac, Caraglio, Italy |
| |
You
only live twice, Man in the Holocene, London |
| |
Venice Biennale (The Danish Pavillion), Venice, Italy |
| |
Baby
Shower, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Europe Exists, Macedonian Museum of Contemporary Art, Thessaloniki, Greece |
| |
Open the Curtain- Kunst und Tanz im Wechselspiel, Kunsthalle zu Kiel der Christian-Albrechts-Universität, Kiel, Germany |
| |
Moderna Museet c/o, Baltic Art Center, Visby, Sweden |
| |
Body Matters, The Museum of Contemporary Art, Oslo, Norway |
| 2004 |
Gegenwärtig:
Staging the Self, Hamburger Kunsthalle, Hamburg, Germany |
| |
Planet
B, Palais Thurn & Taxis, Bregenz (catalogue) |
| |
MALMI, Malmö Konsthall, Malmö, Sweden |
| |
Posters, Videos and other stuff, Centre d'art Santa Monica, barcelona, Spain |
| |
Body
Works, The Nicosia Municipal Arts Centre, associated with Pierides
Museum of Contemporary Art, Cyprus |
| 2003 |
Losing
It, Fenton Gallery, Cork, Ireland (catalogue) |
| |
Happiness- A Survival Guide for Art and Life, Mori Art Museum, Tokyo, Japan |
| |
The Sound of Video, LAB, Copenhagen, Denmark |
| |
Autumn Exhibition, Herning, Denmark |
| |
Ten Years Anniversary Exhibition, Galleri Nicolai wallner, Copenhagen, Denmark |
| 2002 |
Fallen
Heroes, Espai d'art Contemporani De Castello, Castello, Spain |
| |
Jokes, Mamco- musée d'art moderne et contemporain, Geneva, Switzerland |
| |
A History of Happiness, ACCA-Australian Center for Contemporary Art, Melbourne, VIC, Australia |
| |
Beyond Paradise- Nordic Artists Travel east, National Art Gallery Malaysia, Kuala Lumpur, Malaysia |
| |
Beyond Paradise- Nordic Artists Travel east, The Art Center- Chulalongkorn University, Bangkok, Thailand |
| |
Beyond Paradise- Nordic Artists Travel east, Galeri Petronas, Kuala Lumpur, Malaysia |
| |
Beyond Paradise- Nordic Artists Travel east, Valentine Willie Fine Art, Kuala Lumpur, Malaysia |
| |
Attachment,
Brugge 2002, Brugge, Belgium |
| |
Tapies
Foundation, Barcelona, Spain |
| 2001 |
True
Fictions, touring Museumsverein, Bad Arolsen, Germany,Ludwig
Forum, Aachen, Kunstverein, Lingen (Ems), Kunst-Haus, Dresden,
Städtische Galerie, Erlangen, Stadtgalerie, Saarbrücken,
Stadtmuseum, Hofheim, all Germany |
| |
Sex-Facts
and Fantasies, Deutsches Hygiene-Museum, Dredsen, Germany (catalogue) |
| |
The Beauty of Intimacy- Lens and Paper, Kunstraum Innsbruck, Innsbruck, Germany |
| |
SI Swiss Institute, New York City, New York, USA |
| |
Museum 2- Works from the Astrup Fearnley Collection, Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway |
| |
Make
Me Feel, Exhibition Centre Helexpo, Greece (catalogue) |
| |
Scandinavia,
Palazzo delle Papesse, Siena, Italy |
| |
Moments
which I intend to remember, Stadsgalerij Heerlen, Heerlen, Holland |
| |
Group
Show, Galeri Nicolai Wallner, Copenhagen, Denmark |
| |
Night
Of a Hundred Eyes (videoscreening), Transit Space, London, England |
| |
Reclaming
Place, Cleveland center for Contemporary Art, Cleveland, USA |
| |
Looking
af you, Kunsthalle Fridercianum, Kassel, Germany. (catalogue)
|
| |
Works
on paper, Sommer contemporary art, Tel Aviv, Israel |
| |
Bleibe,
Akademie der Künste, Berlin, Germany. (catalogue) |
| 2000
|
Transfert
Kunst in Urbane Raum, Bienne, Switzerland. |
| |
Let's
entertain, Walker Art Centre, Minneapolis, USA touring Portland
Art Museum, Portland, U.S.A.,Centre George Pompidou, Paris,
France, Museo Rufino Tamayo, Mexico City, Mexico, St. Louis
Art Museum, St Louis, USA (catalogue) |
| |
Au-delà du spectacle, Centre Pompidou- Musée National d'Art Moderne, Paris , France |
| |
M2nd Ars Baltica Triennial of Photographic Art- Can you hear me?, Kunsthaus Dresden, Dresden, Germany |
| |
John,
I'm only dancing, The Margaret Harvey Gallery, University of
Hertfordshire, Herts, England |
| |
The
split personality madman. Idiocy as a contemporary strategy,
Touring Central House of Artists, Moscow, Russia. (December
1999), Contemporary Art Centre, Nizhni Novgorod, (Jan/feb 2000),
Museum for Contemporary Art, Samara (March/April 2000), Castle,
Oiron (June/Sep. 2000) |
| |
Organising
Freedom, Moderna Museet, Stockholm, Sweden (catalogue) |
| |
Kwangju
Bienale, Kwangju, South Korea (catalogue) |
| |
Norden,
Kunsthalle Wien, Wien, Austria |
| 1999
|
Videoprogram
14. festival du film court de Brest, Brest, France |
| |
Day
of the Donkey Day, Transmission Gallery, Glasgow, Scotland |
| |
Lè
Grând Præmière Opénïng Shöw,
Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Musée
D'art Contemporain, Montréal (Quebec), Canada |
| |
Scandinavian
Art Show, Tokyo, Japan |
| |
Can
you Hear me ?, Ars Baltica Triannial of Photography, Stadtgalerie
Kiel, Kunsthalle Rostock, Germany |
| |
Blondes
on Bikes, Newsantandrea, Savona, Italy |
| |
International
Neurotic Realisme, Galerie Francesca Pia, Bern, Switzerland |
| 1998 |
Young
Danish Artists, Sint-Lukasgalerij, Bruxelles, Belgium |
| |
80/90- Mirror of our times- Works from the collection of the Oslo National Museum, Contemporary Art Center Vilnius (CAC), Vilnius, Lithuania |
| |
Nordic Light, Nordic Scenes in the 1990's, Netherlands Media Art Institute, Amsterdam, The Netherlands |
| |
Fast
Forward Body Check, Kunstverein in Hamburg, Hamburg, Germany |
| |
Peter
Land, Johan Grimonprez, Sharon Lockhart, Art and Entertainment,
Milano, Italy |
| |
Something's
Rotten, Museum Fridericianum, Kassel, Germany (catalogue) |
| |
A
century of artistic freedom, Wiener Secession, Vienna, Austria
(catalogue) |
| |
Manifesta
II, European Biennial of Contemporary Art, Luxembourg (catalogue)
|
| |
C.I.A.
of 98, Botkyrka Konsthall, Tumba, Sweden |
| |
Statens
Kunstfond, Charlottenborg, Copenhagen, Denmark |
| |
Bicycle
Thieves, (curated by L.Bang Larsen & J. Fabricius), Rhona Hoffman,
Chicago, USA (catalogue) |
| |
The
New Museum, New York, USA |
| |
Reservate der Sehnsucht, HMKV, Dortmund, Germany |
| |
Don't
look now, Galerie Walcheturm, Zürich, Switzerland |
| |
Come
Closer, Liechtensteinische Staatliche Kunstsamlung, Vaduz, Liechtenstein
(catalogue) |
| |
Come
Closer, Nikolaj Kirke, Copenhagen, Denmark (catalogue) |
| |
Come
Closer, Museum Ludwig, Budapest, Hungary (catalogue) |
| |
Nuit
Blanche, videoprogram, Musé D’art Moderne Ville
de Paris, Paris, France (catalogue) |
| |
Självporträtt,
Göteborgs Museum of Art, Göteborg, Sweden (catalogue)
|
| |
Public
private landscapes, Dortmunder U, Dortmund, Germany (catalogue)
|
| |
Undergrund,
curated by Jacob Fabricius, Galerie Asbæk, Copenhagen,
Denmark |
| |
Out
of the North, Württembergischer Kunstverein, Stuttgart,
Germany (catalogue) |
| |
Art
Space, Sydney, Australia |
| |
Nordic
Festival of Contemporary Art, Moss, Norway (catalogue) |
| |
Realismus
Studio, Neue Gesellschaft für Bildende Kunst, Berlin, Germany |
| |
Killing
your Darlings, Ziegler Groningen, Groningen, the Netherlands
(catalogue) |
| |
Le
printemps de Cahors, Cahors, France (catalogue) |
| 1997 |
Ny
kunst fra Danmark og Skåne, Louisiana, Humlebæk,
Denmark (catalogue) |
| |
art
calls, curated Jacob Fabricius, Copenhagen, Denmark |
| |
Video
screening, FRAC Poitou-Charentes, France |
| |
Funny
versus Bizarre, Contemporary Art Center of Vilnius, Vilnius,
Lithuania |
| |
Dialogue,
Power Plant, Toronto, Canada |
| |
(desnudo)
a comparison of the nude body of the artist in video of the
1970's and 1990's, Peter Land/Paul McCarthy, Art & Idea, Del.
Cuautémoc, Mexico |
| 1996 |
Scream,
Arken, Museum for moderne kunst, Copenhagen, Denmark (catalogue)
|
| |
Brect
Bein, Kunstnernes Hus, Oslo, Norge (catalogue) |
| |
Project
for social office in Hanover, with Franz West, and Carsten Höller,
Germany |
| |
Electronic
Undercurrents, Statens Museum for Kunst, Copenhagen, Denmark
(catalogue) |
| |
Bonn
Videobiennale, Bonn, Germany |
| |
When
the shit hits the fan, Overgaden, Copenhagen (catalogue) |
| |
Video
screening, Centre d'art de Neuchâtel, Sweitzerland |
| |
(nude)
a comparison of the nude body of the artist in video of the
1970's and 1990's, Peter Land/Paul McCarthy, touring Trans Hudson
Gallery, Jersey City, and Catherine Clark Gallery, SanFrancisco,
USA |
| |
Monstrosities,Videokino
curated by Raphäele Jeune, Berlin, Germany |
| |
Now
Here, Lousiana, Humlebæk, Denmark (catalogue) |
| |
I
beg to differ, (curated by Rosemary Heather) Milch Gallery, London,
England |
| |
Update,
Copenhagen, Denmark |
| |
Traffic,
CAPC, Musee d'art Modern Bourdeux, France. (catalogue) |
| |
The
Unbearable Whiteness of skiing (existentialism now), Hooghuis,
Arnhem, the Netherlands |
| |
A
small shifting Sphere of Serious Culture, videoprogram curated
by Gregor Muir, touring, United Kingdom |
| |
Loosy,
Galerie Rizzo, Paris, France |
| |
W159,
Amsterdam, the Netherlands |
| 1995 |
Galerie
Jousse Seguin, Paris, France |
| |
Disneyland
after Dark, Upsala,Sweden (catalogue) |
| |
Centre
D'art Contemporain, Fribourg, Switzerland |
| |
I
Confess, Nikolaj Kirke, Copenhagen Contemporary Art Center,
Copenhagen, Denmark (catalogue) |
| |
RAM,
Portalen, Kunsthal for samtidskunst, Greve, Denmark (catalogue)
|
| |
Embraceable
You, Anthony Reynolds, London, United Kingdom |
| |
Nobby
Stiles, 14 Vandy Street, London, United Kingdom |
| |
Drawings,
Galleri Campbells Occasionally, Copenhagen, Denmark |
| |
Vajre
gång jag ser dig/Every time I see you, curated by Nicolai
Wallner, Malmö, Sweden |
| |
Vajre
gång jag ser dig/Every time I see you, Index gallery,
Stockholm, Sweden |
| |
Mexico
or Bust, 26 Abercorn place, London, United Kingdom |
| 1994
|
The
Private Eye, The Danish film Workshop annual Video & film festival,
Copenhagen, Denmark |
| |
Das
Boot, Performance festival, Malmö, Sweden |
| |
SAGA-Basement,
Copenhagen, Denmark |
| |
Video
Festival 1994, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
VIDEOS,
(with Søren Martinsen & Edward Lipski) Galleri Nicolai
Wallner, Copenhagen, Denmark (catalogue) |
| |
MIXBILD,
Schipper & Krome, Cologne, Germany |
| |
White
European Male, Herslebsgate 10, Oslo, Norway |
| |
New
Reality Mix video & Performancefestival, Stockholm, Sweden
|
| |
Herslebsgatan
10, videotechque curated by Nicolai Wallner, Oslo, Norway |
| |
Groupshow,
Galleri TRE, Stockholm, Sweden |
| 1993
|
Black
Box, GLOBE, Copenhagen, Denmark |
| |
Opening
show, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Overdrive,
Copenhagen, Denmark |
| 1993
|
Are
you ready - on the count of zero, Galleri Nicolai Wallner, Copenhagen,
Denmark |
| 1992
|
Overgaden,
Exhibition space of Ministery of Culture, Copenhagen, Denmark |
Performance
| 1998
|
Forgive
me, Performance Festival, Odense, Denmark |
| |
Organgrinder,
Performance Festival, Malmö, Sweden |
| 1996
|
Homage
a Souza, Update, Turbinehallerne, Copenhagen, Denmark |
| 1995
|
Whipped
cream works like acid on your self esteem, New Reality Mix,
Stockholm, Sweden |
Related activities
| |
Arranged
"Hjemme hos Peter Land" ("At Peter Land's Flat"): Exhibitions
by other artists in Peter Land's apartment, Grønningen
7, Copenhagen. The exhibiting artists 1992-1994: Søren
Martinsen, April 1992 / Jan Johansen, April 1993 / Thorbjørn
Bechmann October 1993 / Gitte Villesen April 1994 |
Articles/reviews (selected)
| 2008 |
Atlas of Contemporary Art, ed by Denis Gielin |
| 2007 |
Frieze, Nov/Dec issue 111, review by Jennifer Higgie, p. 175 |
| |
Atlas of Contemporary Art for use by Everyone, Denis Gielen |
| 2006 |
"Ungkarlen
klædt af til skindet" by Anders Kold, Sip My Ocean
(exh. cat.), Louisiana, Denmark |
| |
Nothing But
Pleasure, BAWAG Foundation, Vienna, Austria (exh. cat.) |
| |
Konstperspektiv,
March, "Hemma hos den mänskliga existensen" by
Lena Karlsson |
| 2005 |
Art, das Kunstmagazin,
June 05, "Ein Komiker des Unglücks" |
| |
"At sige
ét og mene noget andet" by Vibeke Vibolt Knudsen,
SMK Art Journal, Statens Museum for Kunst, Denmark |
| |
Weekendavisen,
January 21, Interview with the artist by Lisbeth Bonde |
| |
Flash Art, March, review by Luigi Fassi |
| |
"Horror
Vacui - om Peter Land og fornedrelsens figur" in "Kønnet
i kroppen i kunsten" by Rune Gade, Informations Forlag,
Denmark |
| 2004 |
Lapiz 210/211,
review by Mariella Rossi |
| |
L' horreur Comique,
Estehétique de slapstick, Centre Pompidou, ISBN 2-84426-253-8 |
| |
La Stampa, 7.
dec, review by a.m.g. |
| |
La Republica,
30. dec. review by Olga Gambari |
| |
Kunstforum
Sept-Oct 04, "An der Grenzlinie zwischen Konstrollverlust
und Kuntrolle", interview by Dieter Buchart |
|
Sense of Humor,
Exit No. 13 |
| |
Weekendavisen,
January 17, review by Mette Sandbye |
| |
Kunstavisen,
January, review by Jan Madsen |
| |
Information,
January 12, review by Rune Gade |
| |
Politiken, January
16, reveiw by Peter Michael Hornung and interview with the artist
by Trine Ross |
| 2003 |
Magasin 8, Salzburger
Kunstverein, "Peter Land: The Ride", by Ulrike Matzer |
| 2002 |
Claude-Hubert
Tatot, "Le monde absurde de Peter Land", 360* no.
34, July-August |
| |
Vincent
Pécoil, "Pince-Sans-Rire", Beaux-Arts Magazine,
August 1 |
| |
La Liberté,
"Les chats de Séchas au Mamco, review by Florence
Marguerat, La Liberté, June 1 |
| |
"Le Mamco
sóffre un rire homérique" review, June
|
| |
Emmanuel Grandjean,
"Le Mamco s'amuse pendant l'été", Tribune
de Geneve, May 28 |
| |
Gerhard Mack,
"Werke mit Pointe", Art, das Kunstmagazin, September
1 |
| |
Art Press, September
1, review by Marie de Brugerolle |
| |
Neue Zürcher
Zeitung, "Das Lächerliche exorzieren", review,
May 25 |
| |
Sandra Vinciguerra,
"L'ironie guérit-elle du Beau?", Le Courrier,
August 10 |
| |
Maxime Pégatoquet,
"Histoires Droles", Dimanche.ch, August 4 |
| |
Francoise Jaunin,
"Vous voulez rire?", 24 Heures, June 20 |
| 2000 |
Der Spiegel
no. 23, p.p. 204-205, June 5, by Ulrike Knöfel |
| |
Review, Tageszeitung,
June 14, by Harald Fricke |
|
Review, Der
Tagesspiegel, June 10, by Kattrin Wittneven |
|
Review, Berliner
Zeitung, June 22, by Krystian Woziniki |
|
New York Times,
October 15, by Ken Johnson |
|
Art
Press, Januar, article by Marc Olivier Wahler |
|
Art
& Text no. 68 Feb/april, review by Matthew Debord |
| |
Frieze
Jan/feb, issue 50, review by Gregory Williams |
| 1999 |
Politiken
23 oktober, by Kristine Kern |
|
Kunst
Bulletin 12/99, review by Urs Gyax |
|
Review,
La Liberté, October 29, by Jean-Damien Eleury |
|
Information
99, review by Lars Movin |
|
Peter
Land, Sonia Rosso, Flash Art, Italian Version, May |
|
Wir
lachen, bis uns der Tod abholt, Esslinger Zeitung, 20/21 February, by Christoph von Saiths |
|
Kunst
Bulletin 12/99, article by Marc Olivier Wahler |
| 1998 |
Art
at the turn of the Millinium, Tashen Verlag |
|
Manifesta,
Flash Art, no. 203, pp. 102-103, Nov/Dec, by Rosa Martínez
|
|
Blender
nr. 3 November, pp. 124-128, by Karsten R.S. Ifversen |
|
Tip
of the week, New City, 9. July |
|
5
shows to see now, New City, 9. July |
|
Falling
down, Scanorama, October, by Morten Friis |
|
Public
Domain, Bicycly Thieves, New Art Examinier, October, p.p.
39-40, by Karl Erickson |
|
Why
is Failure so Funny ?, Buster Keaton and Peter Land, New Art
Examinier, p.p. 20-25, October, by Jan Estep |
|
Fortapt
Nattevandrer, Aftenposten, 2. september, by Wenche Volle
|
|
Sisyphos
schlägt Purzelbaum, Frankfurter Allgemeine, 4. July,
by Georg Imdahl |
|
Moss
ball, Artforum, p. 64, May, by William Harris |
|
The
Louisiana Exhibition 1997, Artforum, p.p. 111-112, March,
by Alexandre Melo |
|
Ligths
on the Nordic, Artpress no. 232, p.p. 32-39, February,
by Daniel Birnbaum |
| 1997 |
Under
the influence, Poliester no. 20, p.p. 6-16, Fall, by Kurt
Hollander |
|
The
Scream, Siksi Xll no. 1, p. 82, Spring, by Karsten R.S.
Ifversen |
|
Broken
Home, Flash Art no.75, Nov/Dec, by Owen Drolet |
| 1996 |
Springer,
Alles dreht sich um sich selbst, , pp. 48-50 no. 3 Oct/Nov,
by Georg Schöllhammer |
|
Metropolis
M, no. 6, December |
|
Weekend
Avisen, week 46 |
|
Politiken,
(newspaper) November 16 |
|
Information,
(newspaper), November 15 |
|
Part
2: Louisiana Techno-Rave, Art in America, December, by
Richard Vine |
|
Part
l: Louisiana Techno-Rave, Art in America, p.p. 41-47, October, by Richard Vine |
|
Dangerous
Liaisons - Per Kirkeby & Peter Land, Siksi no.3, p.p. 62-65,
Vol. Xl, Autumn, by Lars Bang Larsen |
|
The
Muishkin Century or Idiocy in Art, Artpress no. 216, p.p. 32-42,
September, by Jean-Yves Jouannais |
|
Index,
(art magazine) no. 3-4. 96, October |
|
NowHere
- get lost, Frieze Issue no. 30, p.p.52, September/October,
by Ina Blom |
|
Weekend
Avisen, September |
|
Traffic,
Flash art, p.p. 126-127, Summer, by Lars Bang Larsen |
|
Traffic,
Siksi no. 1, p.p. 60-61, vol Xl, Spring, by Line Rosenvinge
Nissen |
|
Weekend
Avisen (newspaper), May 15-24 |
|
Permanent
Food no. 2, March |
|
Zapp
Magazine (video magazine) no. 7, April |
|
Step
Laddder Blues, Art in Amerca, May, by Fred Wegeman |
|
Material
(art magazine), February, by Stafan Boye af Geniis |
|
Kunstavisen
(art magazine), February Nudity and small talk, Index no.
1.96, p.p. 44-47, by Lars Bang Larsen |
|
Information
(newspaper), January, by Andreas Brøgger |
|
Berlingske
Tidende (newspaper), January, by Torben Weirup |
|
Politiken
(newspaper), January, by Karsten Ivfersen |
|
Jyllandsposten
(newspaper) January, by Malene la Cour Rasmussen |
| 1995 |
Royal
Copenhagen, Siksi no.4, p.p. 8-11, by Tone O. Nielsen
& Kristine Kærn |
|
When
the political becomes personal, Siksi no. 4, p.p. 18-22,
by Sanne Kofod Olsen |
|
Discipline
and punish, Frieze Issue no. 25, p.p. 48-49, November/December, by Hans Christian Dany |
|
Zapp
Magazine no. 5 (video magazine) September |
|
Żjebliket
(art magaine) summer |
|
Politiken
(newspaper) July |
|
Information
(newspaper) July |
|
Hyper
Foto (art magazine) Summer |
|
Dagens
Nyheter (newspaper) June |
|
Embraceable
You, Frieze Issue no. 23, p.p. 75-76, Summer, Gregor Muir
|
|
Nummer
(art magazine) no. 3 |
|
The
Guardian (newspaper), London, May |
|
Time
Out, London, May, by Sarah Kent |
|
IDAG
(newspaper), April |
|
Sydsvenskan
(newspaper), April |
|
Young
at art, Siksi no.1, p.p. 12 - 15, by Jonas Ekeberg |
|
Every
time I see you, Siksi no.3, p. 60, by Daniel Birnbaum |
|
Solofeature
on TV, (The Open Channel) Hamburg, April, by Hans Christian
Dany |
| 1994 |
Art
Land (art magazine), November |
|
Material
(art magazine), November |
|
Politiken
(Newspaper), August |
| |
Information
(Newspaper/interview), September |
Catalogues and publications
| |
Peter
Land, published by Hatje Cantz, Ostfildern-Ruit, Germany |
| |
Scheitern,
Landesgalerie Linz, Linz, Austria |
| |
Shaving the Mammoth, San Francisco Art Institute, USA |
| |
Peter Land, Darlings, Gl. Strand, Denmark |
| |
Peter
Land: Playground, catalogue for The Venice Biennale 2005 |
| |
Peter
Land, published by Sonia Rosso, Pordenone, Italy |
| |
Art
at the turn of the millennium, published by Taschen Verlag,
Cologne, Germany |
| |
Peter
Land, Idiot, text by Lars Bang Larsen, published by Wiener Secession,
Wien, Austria |
| |
Selfreflectivity,
published by the artist |
| |
Step
Ladder Blues, published by Galleri Nicolai Wallner, Copenhagen,
Denmark |
Public collections
| |
Arken,
Museum of Modern Art, Ishøj, Copenhagen, Denmark |
| |
Museum
of Modern Art, New York, USA |
| |
Sammlung
Essl, Klosterneuburg, Austria |
| |
Thyssen-Bornemisza
Contemporary Art Foundation, Vienna, Austria |
| |
Museum
of Contemporary Art, Helsinki, Finland |
| |
Fondazione
Sandretto ReReBaudengo, Torino, Italy |
| |
The
National Museum of Contemporary Art, Oslo, Norway |
| |
Louisiana
Museum of contemporary art, Humlebæk, Denmark |
| |
Statens
Museum for Kunst, Copenhagen, Denmark |
| |
Astrup
Fearnley Museet, Oslo, Norway |
| |
Musée
national d'art moderne, Centre George Pompidou, Paris, France |
| |
Fonds
National d'art Contemporain, Paris, France |
| |
Århus
Kunstmuseum, Århus, Denmark |
|
|