|
Michael Elmgreen
& Ingar Dragset
Michael Elmgreen
(Denmark) & Ingar Dragset (Norway)
Live and work in Berlin, Germany
Solo exhibitions
| 2008 |
Home is the Place you Left, Trondheim Kunstmuseum, Trondheim, Norway |
| |
Inauguration of Gedenkort für die im Nazionalsozialismus verfolgten Homosexuellen, Berlin, Germany |
| |
Side Effects, Galerie Emmanuel Perrotin, Paris, France |
| 2007 |
This Is The First Day Of My Life, Malmö Konsthall, Malmö, Sweden |
| |
A Change of Mind, Giornata del Contemporaneo organizzata da AMACI, Provincia Autonoma di Bolzano,, Alto Adige, Italy |
| |
I Care For You, permanent installation, Villa Manin, Centre for Contemporary Art, Passariano, Italy |
| 2006 |
Disgrace,
Galerie Emmanuel Perrotin, Miami, USA |
| |
The Incidental Self, Taka Ishii Gallery, Tokyo, Japan |
| |
Would
You Like Your Eggs A Little Different This Morning?, Galleria
Massimo de Carlo, Milano, Italy |
| |
The
Welfare Show, The Power Plant, Toronto, Canada |
| |
The
Welfare Show, Serpentine Gallery, London, England |
| 2005 |
Prada
Marfa, Art Production Fund/Ballroom Marfa, Marfa, Texas, USA |
| |
The
Brightness of Shady Lives, Galeria Helga de Alvear, Madrid,
Spain |
| |
Open
House, Istanbul Pedestrian Exhibitions 2: Tünel - Karakoy,
Istanbul, Turkey |
| |
The
Welfare Show, Festspillutstillingen, Bergen Kunsthall, Bergen,
Norway |
| |
The
Welfare Show, Bawag
Foundation, Wien, Austria |
| |
The
Power Plant, Toronto, Canada (catalogue) |
| |
Forgotten Baby, Wrong
Gallery, New York, USA |
| |
End
Station, Bohen Foundation, New York, USA |
| |
Linienstrasse
160, Neue Mitte, Klosterfelde, Berlin, Germany |
| 2004 |
Intervention
37, Sprengel Museum, Hannover, Germany |
| |
Blocking
the View, Tate Modern, London, England |
| |
Moving
Energies #04, Museum Folkwang, Essen, Germany |
| 2003 |
Phone
Home, Tanya Bonakdar Gallery, New York, USA |
| |
Constructed
Catastrophes, CCA, Kitakyushu, Japan |
| |
Short Cut, Fondazione Trussardi, Milan, Italy |
| |
Paris
Diaries, Galerie Emmanuel Perrotin, Paris, France |
| |
Please,
Keep Quiet!, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Spaced
Out, Portikus, Frankfurt A.M., Germany |
| 2002 |
How
Are You Today, Galleria Massimo de Carlo, Milano, Italy |
| |
CGAC,
Santiago de Compostela, Spain |
| |
Suspended
Space, Taka Ishii Gallery, Tokyo, Japan |
| |
Powerless
Structures, Fig. 229, Galeria Helga de Alvear, Madrid, Spain |
| |
Museum,
Sala Montcada / Fondacio la Caixa, Barcelona, Spain |
| |
Museu
de Arte da Pampulha, Belo Horizonte, Brazil |
| |
Taka
Ishii Gallery, Tokyo, Japan |
| 2001 |
Powerless
Structures, Fig 111, Portikus, Frankfurt A.M., Germany |
| |
A
Room Defined..., Statens Museum for Kunst, Copenhagen, Denmark |
| |
Linien
Str. 160, Galerie Klosterfelde, Berlin, Germany |
| |
Galleri
Nicolai Wallner, Copenhagen, Denmark |
| |
Opening
Soon, Gallery Tanya Bonakdar, New York, U.S.A. |
| |
Galleri
Index, Stockholm, Sweden |
| |
Taking
Place, Kunsthalle Zürich, Zürich, Switzerland |
| 2000 |
Zwischen
anderen Ereignissen, Galerie für zeitgenössiche Kunst,
Leipzig, Germany. |
| |
Roslyn
Oxley 9 Gallery, Sydney, Australia. |
| 1999
|
Galleri
Nicolai Wallner, Copenhagen, Denmark. |
| |
Powerless
Structures Fig. 57-60, The Project, New York, U.S.A. |
| 1998 |
Powerless
Structures, Fig. 45, Galleri Ingólfsstræti & Reykjavik
Art Museum, Reykjavik, Island. |
| 1997 |
To Ken Ishii..., Galleri Struts, Oslo, Norway. |
| |
Powerless
Structures, Gallery Campbells Occasionally, Copenhagen, Denmark. |
| |
12
Hours of White Paint, Galleri Tommy Lund, Odense, Denmark. |
Group exhibitions (selected)
| 2008 |
Reality Check, Statens Museum for Kunst, Copenhagen, Denmark |
| |
Sammlung/Collection, migros museum für gegenwartskunst, Zürich, Switzerland |
| |
Peer to Peer, Casino Luxembourg, Luxembourg |
| |
The teardrop explodes, Stadtgalerie Schwaz, Schwaz, Tirol |
| |
Ad Absurdium/Energien des Absurden- von der Klassischen Moderne zur Gegenwart, MARTa Herford, Herford, Germany |
| |
Walls in the Street, Muzej savremene unmetnosti, Beograd, Serbia |
| |
Other Than Yourself- An Investigation between Inner and Outer Space, T-B A21- Thyssen-Bornemisza Art Contemporary, Vienna, Austria |
| |
Thyssen-Bornemisza, Art Contemporary- Sammlung als Aleph, Kunsthaus Graz, Graz, Austria |
| |
La marge d'erreur, Centre d'art contemporain la Synagogue de Delme, delme, France |
| |
S.T.O.R.A.G.E: Ludovica Gioscia, The Agency Gallery, London, United Kingdom |
| |
Schöner Bauen- Besser Schauen, Arcjitektur- und Denkbilder, Museum Liner, Appenzell, Switzerland |
| |
All Inclusive, Schirn Kunsthalle, Frankfurt am Main, Germany |
| 2007 |
Skulptur Projekte Münster 07, Münster, Germany |
| |
Mapping the Self, Museum of Contemporary Art, Chicago |
| |
For Sale, Christina Guerra Contemporary Art, Lisboa, Portugal |
| |
Double Vision, Deutsche Bank Gallery, New York, USA |
| |
Cuestión Xeracional, CGAC, Santiago de Compostela, Spain |
| |
When We Build Let Us Think We Build the Future, BALTIC Centre For Contemporary Art, Gateshead Quays, Gateshead, United Kingdom |
| |
Gjensyn & Fremtiden, Vigeland Museum, Oslo, Norway |
| |
Pensa/Piensa/Think, Centre d'art Santa Monica, Barcelona, Spain |
| |
Bodypoliticx, Witte de With, Rotterdam, The Netherlands |
| |
La cittá che sale, ARCOS, Sannio Contemporary Art Museum, Benevento, Italy |
| |
Silly Adults, Galeri Nicolai Wallner, Copenhagen, Denmark |
| |
Rockers Island, Olbricht Collection, Museum Folkwang, Essen, Germany |
| |
The Price of Everything, Whitney Museum of American Art/Independent Study Program Exhibition, USA |
| |
2. Moscow biennale of contemporary art, Moscow, Russia |
| |
Mapas, cosmogonias e pumtos e referencia, CGAC, Santiago de Compostela, Spain |
| |
Into Me/Out of Me, Kunst-Werke, Berlin, Germany/ MACRO Museo d'Arte Contemporanea, Roma, Italy |
| |
Cross-Border. Fotografie und Videokunst aus dem MUMOK Wien, Kunstmuseum Stuttgart, Germany |
| |
Un Fair/trade- Die Kunst der Gerchtigkeit, Neue Galerie Graz am Landesmuseeum Joanneum, Graz, Austria |
| |
Made In Germany, Sprengel Museum Hannover/Kunstverein Hannover/kestnergesellschaft Hannover, Germany |
| |
Absent Without Leave, Victoria Miro Gallery, London, United Kingdom |
| 2006 |
This
is not for you: Sculptural Discourses, Thyssen-Bornemisza Art
Contemporary, Vienna, Austria |
| |
All Our Tomorrows, Kunstraum der Universität Lüneburg, Lüneburg, Germany |
| |
Faster! Bigger! Better!, ZKM, Karlsruhe, Germany |
| |
Protections, Kunsthaus Graz, Graz, Austria |
| |
Fever Variations, Gwangju Biennale 2006, Seoul, South Kore |
| |
When the Moon Shines on the Moonshine, The Breeder, Athens, Greece |
| |
Into Me/ Out of Me, P.S.1, New York, USA |
| |
Anstoss Berlin- Kunst macht Welt, Haus am Waldsee, Berlin, Germany |
| |
Why Pictures Now, MUMOK, Vienna, Austria |
| |
Culture Bound/East Wing Collection VII, Courtauld Institute of Art, London, United Kingdom |
| |
Kontacom 06, Contemporary Festival, Salzburg, Austria |
| |
Wrong, Klosterfelde, Berlin, Germany |
| |
Broken Surface, Sabine Knust Galerie Maximilian Verlag, Munich, Germany |
| |
Exportable
Goods, Krinzinger Projekte, Vienna, Austria |
| |
Group
Therapy, Museion, Bolzano, Italy |
| |
Surprise,
Surprise, ICA, London, United Kingdom |
| |
My
Blue Genes, Vigerslevvej 44, 1.tv., Valby, Copenhagen, Denmark |
| 2005 |
Kiss
the Frog. The Art of Transformation, Nasjonalmuseet for Kunst,
Oslo, Norway |
| |
Universal
Experience, Museum of Contemporary Art, Chicago, USA (catalogue)
|
| |
Monuments
for the USA, CCA Wattis Institute for Contemporary Arts, San
Francisco, USA (catalogue) |
| |
Istanbul
Pedestrian Exhibitions 2: Tünel - Karakoy, Istanbul, Turkey |
| |
Lichtkunst
aus Kunstlicht, ZKM, Karlsruhe, Germany |
| |
Baby
Shower, Galleri Nicolai Wallner, Copenhagen, Denmark |
| 2004 |
Modus
Operandi, Thyssen-Bornemisza Art Contemporary, Vienna, Austria |
| |
Artists'
Favourites, Institute for Contemporary Art, London, England |
| |
Lofoten
International Art Festival, Lofoten, Norway (catalogue) |
| |
A
arañeira. A colección. Centro Galego de Arte Contemporánea,
Santiago de Compostela, Spain |
| |
Die
Zehn Gebote, Deutsches Hygiene-Museum, Dresden, Germany (catalogue) |
| |
Sammlung
Plum, Museum Kurhaus Kleve, Germany (catalogue) |
| |
Works
and Days, Louisiana Museum for Moderne Kunst, Humlebæk,
Denmark |
| |
10
Year Anniversary Exhibition, Taka Ishii Gallery, Tokyo, Japan |
| |
Reordering
Reality, Columbus Museum of Art, Columbus, Ohio, USA |
| |
Revolving
Doors, Fundación Telefonica, Madrid, Spain |
| 2003
|
Living
Inside the Grid, The New Museum, New York, USA (catalogue) |
| |
Happiness,
Mori Art Museum, Tokyo, Japan (catalogue) |
| |
The
Living Museum, Museum für Moderne Kunst, Frankfurt a.M.,
Germany (catalogue) |
| |
Utopia
Station, 50th Biennale di Venezia, Venice, Italy (catalogue) |
| |
Skulptur
Biennale Münsterland, Münster, Germany (catalogue) |
| |
nation,
Frankfurter Kunstverein, Frankfurt A.M., Germany (catalogue) |
| |
Out.Look,
Kunstverein Springhornhof, Neuenkirchen, Germany |
| |
Spectacular,
Museum Kunstpalast, Düsseldorf, Germany |
| 2002
|
25th
Bienal de Sao Paolo, Sao Paulo, Brazil (catalogue) |
| |
Shopping,
Schirn Kunsthalle, Frankfurt. A.M., Germany (catalogue) |
| |
Critcal
& Radical, Olivetti Fondazione, Rome, Italy |
| |
Preis
der Nationalgalerie, Hamburger Bahnhof, Berlin, Germany (catalogue) |
| |
Beyond
Paradise, Museum of Contemporary Art, Bangkok, Thailand |
| |
Bienal
de Arte Pontevedra, Pontevedra, Spain (catalogue) |
| |
Palais
de Tokyo, Paris, France |
| |
Living
Inside The Grid, The New Museum of Contemporary Art, New York,
USA |
| |
Pause,
Kwangju Biennial, Kwangju, South Korea (catalogue) |
| |
No
Return, Abteiberg Museum, Mönchengladbach, Germany (catalogue) |
| |
Sudden
Glory: Slapstick in Contemporary Art, CCAC, San Francisco, USA (catalogue) |
| 2001 |
Inside
Space, MIT List Centre, Boston, USA (catalogue) |
| |
TV
Tokyo, Palais de Tokyo, Paris, France |
| |
Egofugal,
7th International Istanbul Biennal, Istanbul, Turkey (catalogue) |
| |
Strategies
Against Architecture II, Fondazione per l'arte, Pisa, Italy |
| |
The End of All things, Galleria Massimo de Carlo, Milano, Italy |
| |
Hortus
Conclusus, Witte de With, Rotterdam, the Netherlands (catalogue) |
| |
Group
Show, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Hortus
Conclusus, Witte de With, Rotterdam, the Netherlands |
| |
Schauspiel
Haus, Hamburg, Germany |
| |
Neue
Heimat, Frankfurter Kunstverein, Frankfurt A.M., Germany (catalogue) |
| |
AUDIT,
Casino Luxemburg, Luxemburg (catalogue) |
| 2000
|
Manifesta
III, Ljubljana, Slovenia (catalogue) |
| |
Borderline
Syndrome, Manifesta 3, Ljubljana, Slovenia |
| |
5
shows, 5 curators, Staff USA/AC Project Room, New York |
| |
Waiting,
Mjelby Art Centre, Halmsted |
| |
Sightings,
Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson |
| |
Use
your illusion, part 3, Arnolfini, Bristol, England |
| |
Sporting.
Life, MCA, Sydney, Australia (catalogue) |
| |
Leaving
the Island, Pusan Art Festival, Pusan |
| |
Century
of Innocence, Rooseum, Malmö, Sweden (catalogue) |
| |
The
works shown in this space..., neugerriemscneider, Berlin, Germany |
| |
AC
Project Room/Staff USA, New York, U.S.A. (Curated by Connie
Butler, MOCA) |
| |
IASPIS
Galleriet, Stockholm, Sweden. (Curated by Daniel Birnbaum) |
| |
What
if..., Moderna Museet, Stockholm, Sweden. (Curated by Maria
Lind) (catalogue) |
| |
Center
for Curatorial Studies, Bard College, New York, U.S.A. (Curated
by Jeffrey Walkowiak) |
| |
Echigo-Tsumarigo
Triennial, Japan. (Curated by Nancy Spector) (catalogue) |
| 1999 |
Signs
of life, Melbourne Biennial, Melbourne, Australia (catalogue) |
| |
Opening,
Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Pavement,
Martinez Gallery, New York, USA |
| |
Parking,
Public Art Work, High Bridge Park, New York, USA |
| |
Extinction
des feux, Art and Public, Geneve, Switzerland |
| |
Lè
Grând Præmière Opénïng Shöw,
Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Search
for the Spirit, NGBK, Berlin, Germany |
| 1998 |
Berlin/Berlin,
Berlin Biennale, Germany (catalogue) |
| |
Nordic
Nomads, White Columns, New York, USA (catalogue) |
| |
Zone
Franche, Grand Halle de Villette, Paris, France |
| |
Warming,
The project, New York, USA |
| |
Cool
Places, Contemporary Art Centre, Vilnius, Lithuania (catalogue) |
| |
Wrapped,
Vestsjaellands Kunstmuseum, Sorø, Denmark |
| |
Junge
Szene, Secession, Wien, Austria (catalogue) |
| |
High
Infidelity, Kunstraum der Universität Lüneburg, Lüneburg,
Germany |
| |
Bicycle
Thieves, Gallery 400, Chicago, USA |
| |
Pakkhus,
Momentum, Moss, Norway (catalogue) |
| |
Nuit
Blanche, Musée d’Art Moderne de la Ville de Paris,
Paris, France (catalogue) |
| |
Underground,
Galleri Asbæk, Copenhagen, Denmark |
| 1997 |
Full
House, Galerie Schipper & Krome, Berlin, Germany |
| |
The
Louisiana Exhibition, Louisiana Museum of Modern Art, Humlebæk,
Denmark (catalogue) |
| |
6.
Muestra de Performance Internacional, Mexico City, Mexico |
| |
The
April Sessions, ICA, London, England |
| 1996 |
The
Scream, Borealis 8, Arken, Museum of Modern Art, Ishøj,
Denmark |
| |
Between
You & Me, Overgaden, Copenhagen, Denmark |
| |
Update,
Copenhagen, Denmark |
| |
Meningsdannelse
2, Nikolaj Contemporary Art Center, Copenhagen, Denmark |
| |
Gallery
Campbells Occasionally, Copenhagen, Denmark |
| 1995
|
Art
Against AIDS, Gallery Nicolai Wallner and Michael Andersen,
Copenhagen, Denmark |
| |
Fan
Också (Damn), Forumgalleriet, Malmø, Sweden |
Selected bibliography
| 2008 |
exh.cat. "Reality Check", Statens Museum for Kunst, Copenhagen, Denmark |
| |
"Der Kuss" by Jörg Lau, Die Zeit, May 29 |
| |
"Germany remembers gay victims of the Nazis" by Kate Connolly, The Guardian, May 28 |
| |
"Germany remembers Persecuted Gays" by Lawrence van Gelder, The New York Times, May 28 |
| |
"Gay victims of Thrid Reich are honoured in Berlin with stark memorial" by Roger Boyes, The Times, May 28 |
| |
"Zwei Männer und ein Denkmal" by Kai Luehrs-Kaisery, Berliner Morgenpost, May 28, p. 19 |
| |
"Ein Kuss für die Ewigkeit" by Carolin Ströbeley, Die Zeit, May 28 |
| |
"Männerküsse in Beton" by Sebastian Preuss, Berliner Zeitung, May 28 |
| |
"Die Erben Andy Warhols" by Kai Luehrs-Kaiser, Die Welt, May 27, p.28 |
| |
"Eine Liebesszene, sonst nichts" by Stephanie Wurster, TAZ Die Tageszeitung, May 27 p. 21 and 28 |
| |
"Berlin inaugurates memorial to the Nazis' homosexual victims", International Herald Tribune, May 27 |
| |
"Mehr als ein bisschen Frieden" by Andrea Hildenstock, Kunstzeitung, no. 142, June 2008, p. 29 |
| |
"Gedenkstätte: Denkmal für die im Nationalsozialismus verfolgten Homosexuellen",Bauwelt, no.23, 2008, p. 4 |
| |
exh. cat. "For Sale", Cristina Guerra Contemporary Art |
| |
"Et kys kan stadig være farligt" by Henriette Harris, Information, May 28, p.14-15 |
| |
"Harter Beton und knutschende Jungs" by Tim Ackermann, Welt Kompakt, May 27, p.23 |
| |
"Ein Kuss als doppelte Mahnung" by Anna Reimann and Michael Sontheimer, Spiegel Online, May 27 |
| |
"Opfergruppe, die lange Zeit wenig Beachtung fand" by Mechthild Küpper, Frankfurter Allgemeine Zeitung, May 27 |
| |
"Im Gebüsch gebaut" by Jan Feddersen, TAZ Die Tageszeitung, May 27, p. 14 |
| |
"Der Troubadour im Chatroom" by Hans-Jürgen Linke, Frankfurter Rundschau, May 24 |
| |
"Spennende og vellykket operaåpning by Peter Larsen, Bergens Tidende, May 22, p. 35 |
| |
"Tidløs kjærlighet" by Erik Bjørnskau, Aftenposten, May 23, p. 1, 6-7 |
| |
"Zu viel Politik - zu wenig Sex", Zitty, may 22 – June 4, p.32-35 |
| |
"Kunstnerduo udgiver selvbiografi" by Peter Thygesen, Politiken, June 13 |
| |
"Cifte Saglama" by Adnan Yildiz, Muhtelif, Spring 2008, p.11-13 |
| |
"Verklärung einer fernen Geliebten" by Bernhard Doppler, Fazit / Duetschlandradio Kultur, May 21 |
| |
"Når humoren rykker grænser" by Kirsten Bødker, Børsen, April 29, p.41 |
| |
"Conscious Body" by Anna Sansom, DAMn, No. 15, February-March 2008, p.44-49 |
| |
"This is what we share", nDisplayer, 02, 2008, p.47-52 |
| |
"Somewhere over the rainbow" by Tóth Ali, The Room, spring-summer 2008, p.18 |
| |
cat. "Lèche-Vitrine / Distribution & Merchandising Visuel Dans La Mode", Edition Du Regard |
| |
"Homo-fabrikken" by Osman Kibar, Dagens Næringsliv, D2, 25 January 2008,p. 1, 6-17 |
| |
Smag2, Nr.2, 2008 |
| |
"Åbner Festspillene med tegnefilm" by Finn Bjørn Tønder, Bergens Tidende, January 29, p.28 |
| |
"Les Méthamorphoses d'Elmgreen & Dragset" by Marie Ferman, Dandy, No. 20, February-March 2008, p.34-35 |
| 2007 |
"Pek-a-boo!" by Adrian Searle, The Guardian, June 26, p. 23-26 |
| |
cat. Anyang Public Art Project, APAP 2007 |
| |
"Elmgreen & Dragset, ikke flere lidelseshistorier", Frankly, #9 2007, p. 54-59 |
| |
"Monumento e Delitto? Monument and Crime?" by Paula Nicolin, Abitare, ‚476 10 2007, p. 94-97 |
| |
exh. cat. "Into me/Out of Me", Hatje Cantz |
| |
cat. "Kelvin – colour today", Die Gestalten Verlag 2007 |
| |
"Expanded Fields" by Polly Staple, Frieze, September 2007, p. 145-147, image also p. 3 |
| |
cat. "Architecture Now!", Taschen |
| |
"Elmgreen & Dragset, Das Künstlerduo", Tip, September 20.09, p. 30 |
| |
"Kunst einschalten!", Monopol, November 2007, p.26 |
| |
exh. cat. "Cuestión Xeracional", CGAC, Santiago de Compostela |
| |
cat. "SpaceCraft", Die Gestalten Verlag |
| |
cat. "Double Act – Künstler Paare" by Mark Gisbourne, Prestel Verlag |
| |
"Allis' assoterte" by Johanne Nordby Wernø, Dagbladet, August 13, p. 44-45 |
| |
"Quirks and Attitude to Burn" by Holland Cotterby, The New York Times, June 8 |
| |
"Kunst muss irritieren", Münstersche Zeitung, p.1 |
| |
"Mindesmærke for homoseksuelle" by Kent Olsen, Jyllands Posten, July 25, p. 11 |
| |
exh. cat. "La cittá che sale", ARCOS, Sannio Contemporary Art Museum, Benevento |
| |
"Hohle Primmadonnen" by Manuel Jennen, Münstersche Zeitung, p. 4 |
| |
"2 Fragen an Elmgreen & Dragset" by Slike Hohmann, Monopol, # 8, 2007, p. 12 |
| |
exh. cat. Skulptur Projekte Münster 07, Münster |
| |
exh. cat. "The Price of Everything... Perspectives on the Art Market", Whitney Museum of American Art / Independent Study Program Exhibition |
| |
"Ich bin indifferent" by Ossian Ward, Time Out, June 27-July 3, p. 43 |
| |
"Desaparición", Pensa/Piensa/Think, #37, July-August 2007 |
| |
cat. "Present, Percentage for Art in the Netherlands", Episode Publishers, Rotterdam |
| |
exh. cat. 2 Moscow Biennale of Contemporary Art, "Footnotes on Geopolitics, Market, and Amnesia" |
| |
"Sand Box" by Fred A. Bernstein, The New York Times, April 1, p. 123-128. |
| |
"When the Moon Shines on the Moonshine" by Marina Fokidisan, Frieze, March 19 |
| |
"Schwarzes Loch" by Holger Liebs, Süddeutsche Zeitung, May 24, p. 13. |
| |
"Aufklärungsbedarf", KulturSpiegel, June, p. 10-11. |
| |
exh. cat. "Made In Germany", Sprengel Museum, Hannover, Hatje Cantz Verlage |
| |
"States of Matter, Sculptural sublimations in a state of flux" by Annabelle Hirsch, Alexandra Link and Jeffrey Work, Sleek, Spring, p. 105-106 |
| |
"Art imitates Idea" by Joni Taylor, Pol Oxygon, Issue 20, p.56-63. |
| |
"Interview with Elmgreen & Dragset by Maurizio Cattelan", Bing, May-September, p.60-63. |
| |
exh. cat. "Kunst/Art", Lufthansa Aviation Center, Frankfurt |
| |
"Hoffnung auf Ankunft", Hannoversche Allgemeine Zeitung, April 25 |
| |
exh. cat. "Rockers Island, Olbricht Collection", Museum Folkwang, Essen |
| |
"Color Proof #5" by Elmgreen & Dragset, Wonderland, Issue 5, p.66-67. |
| |
"This Is The First Day Of My Life" by Baltazar Castor, Panbladet, Issue 2, March, p. 16-17. |
| |
"Den Stängda Dörrens Öppning" by Martin Hägg, Landskrona Posten, April 7, p.30. |
| |
exh. cat. "Viewing Room", Vol.2, Daiwa Radiator Factory, Japan |
| |
"Verk Utan Modstand" Svenska Dagbladet, April 7 |
| |
"Berlin's Harshly Felt Divide" by Benjamin Weinthal, GayCityNews, March 15-21, p.2 and p.25. |
| |
"Queer bar på Malmö Konsthall" by Jon Vossurt, QX, March 15 |
| |
"Kom tæt på hverdagen og bøsselivet på Malmö Kunsthal" by Ditte Vilstrup Holm, Politiken, March 13 |
| |
exh. cat. "Mapas, cosmogonias e pumtos e referencia", CGAC, Santiago de Compostela |
| |
"Underliggjörerne" by Julie Fjeldstad, Morgenbladet, February 16 |
| |
"Journal of a maid" and "Disgrace" by Marie Belot, Bing, January-April, p42-45 and p.46-49. |
| 2006 |
Review by Anna van Leeuwen, Mister Motley, p. 56-57. |
| |
exh. cat. "Kontracom 06. Contemporary.Festival.Salzburg", Salzburg |
| |
exh. cat. "Faster! Bigger! Better!", ZKM, Karlsruhe, Verlag Walther König |
| |
exh. cat. "Fever Variations, I", Gwangju Biennale 2006 |
| |
exh. cat. "Not A Drop But The Fall", Künstlerhaus Bremen, Revolver |
| |
symp. cat. "Under Construction", European Kunsthalle, Verlag Walther König |
| |
symp. cat. "Art of Welfare", Office for Contemporary Art, Norway |
| |
cat. "Desenhos (drawings): A-Z", Collection Madeira Corporate Services |
| |
cat. "Nybrud - dansk kunst i 90'erne", Rune Gade & Camilla Jalving, Aschehoug |
| |
cat. "Overblik - 63 danske samtidskunstnere", Michael Jeppesen, Politikens Forlag |
| |
"Elmgreen/Dragset, Hekmag, Fall/Winter 2006/2007, p. 152-153. |
| |
"Keepers of the flame" by Nicholas Bostone, Out Magazine, December, p. 94-95. |
| |
"Réflexes conditionnés" by Nicolas Trembley, Numéro, November, p. 34-36. |
| |
"Das Atelier der Welt", Art - das Kunstmagazin, October, p. 28. |
| |
"Traum von Raum" by Daniel Sander, KulturSpiegel, September, p. 12-16. |
| |
"How Are You Today?", Aaron Moulton, Flash Art Italy, Aug-Sep, p. 80-83. |
| |
"Poesie in Beton" by Carsten Bauhaus, Männer Aktuell, June-July, p. 28-31. |
| |
"The Welfare Show" by Melanie Puff, Kunstforum International, May-June, p. 389-391. |
| |
"Power Structures" by Supitcha Tovivich, art4d, April, p. 64-68. |
| |
"Das mahnmal der anderen Seite" by Waltraud Schwab, taz, March 28, p. 23. |
| |
"arfa
or Marfa?" by Aric Chen, Spoon, January - February, p.
56-61. |
| |
"Guard
your sanity in the waiting room of life" by Laura Cumming,
The Observer, February 5. |
| |
"The
lost world" by Adrian Searle, The Guardian, January 31,
p. 18-20. |
| |
"Cultural
Desert" by Charlotte Cripps, The Independent, January 30,
p. 39. |
| |
"We
were only being boring" by Rachel Campbell-Johnston, The
Times, January 24, p. 17-18. |
| |
"Die Kälte der Ewigkeit" by Nikolaus Hablützel,
Die Tageszeitung, January 23, p. 17. |
| 2005 |
exh.
cat. "The Welfare Show", Verlag Walter König
|
| |
exh.
cat. "Universal Experience. Art, Life, and the Tourist's
Eye", Museum of Contemporary Art, Chicago, Ed. Francesco
Bonami, p. 146-147. |
| |
exh.
cat. "Monuments for the USA", CCA Wattis Institute,
San Francisco, Ed. Ralph Rugoff, p. 60-63. |
| |
exh.
cat. "Kiss the Frog. The Art of Transformation", Oslo
National Museum, Ed. Kari J. Brandtzaeg, p. 104-107. |
| |
"Art
works. Perform", Ed. Jens Hoffmann and Joan Jonas, Thames
and Hudson, London, p. 36-37 and p. 187-88. |
| |
Süddeutsche
Zeitung, October 26, "Prada, Texas" by Cordula Vielhauer,
p. 15. |
| |
The
New York Times, October 8, "Vandal Hated the Art, but,
Oh, Those Shoes" by Barbara Novovitch, p. A11. |
| |
Artforum,
October, "Michael Elmgreen and Ingar Dragset", Klosterfelde
(Linienstrasse) by Jennifer Allen, p. 286-287. |
| |
Flash
Art, October, "Prada opens closed boutique in desert",
p. 51. |
| |
Texte
zur Kunst, September, "Einsatz in zwei Wänden"
by André Rottmann, p. 185-187. |
| |
Time
Out Istanbul, September, "Istanbul Yaya Sergileri 2"
by Sanat Sezonu, p. 38-40. |
| |
Süddeutsche
Zeitung, September 20, "Etnik Paranoia, Laute Lage im Klischee:
Die neunte Kunstbiennale in Istanbul" by Holger Liebs,
p. 19. |
| |
ArtReview,
September, "Super Store" by Nav Haq, p. 66-69. |
| |
Frieze,
June-August, "Monuments for the USA" by Eve Meltzer,
p. 93. |
| |
New
York Times, April 1, "All Aboard. End Station" by
Roberta Smith, p. E27. |
| |
Flash
Art, July-September, review by James Westcott, p. 74 |
| |
Time
Out New York, April 28-May 4, "Elmgreen & Dragset,
End Station", Benjamin Carlson, p. 74. |
| 2004 |
Kunstforum
Sept-Oct 04, "Gläserner Sarg", review by Edgar
Schmitz |
| |
"Turbulenz.
Portikus Projekte 2001-2004", Ed. Jochen Volz, Portikus
Frankfurt am Main |
| |
exh.
cat. "Die Zehn Gebote", Deutsches Hygiene-Museum,
Dresden, Ed. Klaus Biesenbach |
| |
exh.
cat. "Sammlung Plum", Museum Kurhaus, Kleve |
| |
"Coupling.
Gender Identity in Michael Elmgreen and Ingar Dragset's Art"
by Jenny Lund, in: ARKEN Bulletin, ARKEN Museum of Modern Art,
Ishøj, Denmark, Ed. Christian Gether, p. 64-72. |
| |
Evening
Standard, May 11, "Watch the Birdie" by Luke Leitch,
p. 8. |
| |
Guardian,
May 12, "Watch the Birdie" by Jonathan Jones, p. 3. |
| |
Janus
16, spring, "Consubverting" interview with the artists
by Jens Hoffmann |
| |
Tema
Celeste 103, "(Con-) Fusion Architecture" |
| |
exh.
cat. Revolving Doors, Fundatíon Telefónica, Madrid |
| 2003 |
exh.
cat. Spaced out, Elmgreen & Dragset, Portikus, Frankfurt am
Main, Ed. Daniel Birnbaum |
| |
Berlingske
Tidende, 30 September, "Masser af international succes"
by Torben Weirup |
| |
Politiken,
3 October, "Vi skal stadig dø", review by Trine
Ross |
| |
exh.
cat., Dreams and Conflicts. The Dictatorship of the Viewer,
50th International Biennale di Venezia, Venice, Ed. Francesco
Bonami, Maria Luisa Frisa |
| |
exh.
cat., Living Inside the Grid, New Museum of Contemporary Art,
New York, Ed. Dan Cameron |
| |
Cream
3. Contemporary Art in Culture, London/New York, pp. 128-131. |
| |
Contemporary,
No. 51, New York: New Museum of Contemporary Art - Living inside
the grid, Kim Zamet, pp.82-83. |
| |
Interni,
No. 532, June, Michael Elmgreen & Ingar Dragset, Germano Celant,
pp. 290-29.5 |
| |
The
Guardian, June 16, The Spell of Venice; Ape answers art's demands,
Fiachra Gibbons, p.4. |
| |
Frankfurter
Allgemeine Zeitung, May 24, Abschied und Neubeginn im Portikus,
p. 57. |
| |
Frankfurter
Allgemeine Zeitung, May 25, Die Bulldozer warten schon |
| |
Abschiedsfest
zum Portikus-Abriss, Konstanze Crüwell, p. R3. |
| |
Frankfurter
Rundschau, May 24, Die Stadt als Kunstwerk. Abschied von der
Kunsthalle Portikus, Claudia Michels, p. 25. |
| |
Frankfurter
Allgemeine Zeitung, May 14, Ohne Autobahn keine deutsche |
| |
Identität.
Internationale nation: Ausstellung im Frankfurter Kunstverein,
Michael Hierholzer, p. 45. |
| |
Corriere
della Sera, May 9, Pronto, mandante i ghisa: c'e un incidente
in Galleria, Gian Guido Vecchi |
| |
Il
manoifesto, May 9, Quella Fiat da galleria, Riccarda Mandrini,
p. 15. Libero, May 8, 2003, Anche questa é un' opera
d´arte e Trussardi la presenta al mondo, Alessandra Menzani,
p. 19. |
| |
La
Repubblica, May 8, Trussardi prendre l´arte e la porta
da ogni parte, p. XIII. |
| |
Boiler,
Issue 1/Great Escape, Interview, Ivanmaria Vele. |
| |
The
Breeder, issue 9, insert. |
| |
(a-n)
magazine, March, Space campaigns and living work, Lars Bang
Larsen, pp. 30-33. |
| |
Art
in America, Michael Elmgreen and Ingar Dragset at Emmanuel Perrotin,
Ellen McBreen, p. 155-56. |
| |
Paris-art.com,
March, Michael Elmgreen & Ingar Dragset. Paris Diaries, Pierre-Evariste
Douaire, www.paris-art.com. |
| |
The
Village VOICE, Feb. 26-Mar.4, Vol. XLVIII, ShortList, Kim Levin,
p. 68. |
| |
Adresseavisen,
February 21, Proveoserer i hele verden, Dag Yngland, p. 26. |
| |
Kunst,
2003:01, Sofistikerte rominvasjoner, Camilla Eeg, pp.58-63. |
| |
Politiken,
January 3, Birger Thøgersen, Interview, Kultursektionen,
p.1, p.5. |
| 2002 |
exh.
cat., Michael Elmgreen & Ingar Dragset: Taking Place, Ed. Beatrix. |
| |
We'
re All Normal, Contemporary Nordic artists writings, Ed. Sander
& Sheik, Black Dog Publishing Limited, London, pp.88-91. |
| |
Artforum
International, April, White on White, Daniel Birnbaum. |
| |
Frieze,
Jan. - Feb., issue 64, Istanbul Biennial, Jörg Heiser,
p. 92. |
| |
Modern
Painters, Vol 15, No. 4, View from Berlin - Invisible Industry,
Harald Fricke, p.52. |
| |
Metropolis
M, Mika Hannula, Elmgreen&Dragset, pp.48-51. |
| |
Art
in America, March, Back to Bosphorus, Gregory Volk, p.44. |
| |
Tagesspiegel,
Kranker Mann, was nun?, Christina Tilmann, Oct.12th. |
| |
Frankfurter
Allgemeine, Nur die Sonne war Zeuge, Niklas Maak, p.48, May
17th. |
| |
Süddeutsche
Zeitung, Krankenzimmer mit Meerblick, Jörg Heiser, p. May
17th. |
| |
Der
Tagesspiegel, Einer gegen Alle, K. Wittneven, p. 27, May 17th. |
| |
Die
Welt, 25.000 Euro für ein Krankenhausbett, G.Walde, p.
28, May18th. |
| |
Berliner
Zeitung, Ingeborg Ruthe, Fünf Namen und ein Scheck, p.10. |
| |
Die
tageszeitung, Harald Fricke, Der markt schaut mit, p.14, May
22nd. |
| |
Frankfurter
Rundschau, Im Krankenbett, C.Meixner, p. 25, May 28th. |
| |
Paletten,
Platsbundenhet, diskurs, nätverkande, Mika Hannula, pp.
37-41, #249-250. |
| |
exh.
cat., No return, Sammlung Haubrock, Abteiberg Museum, Mönchengladbach. |
| |
Ruf,
Kunsthalle Zürich / Hatje Cantz monography, Elmgreen &
Dragset: Museum. |
| |
Ed.
Chuz Martinez, Fundacio La Caixa, Barcelona. |
| |
exh.
cat., Pause, ,Kwangju Biennial, Ed. Inseon Kim, Kwangju. |
| |
Art
Now, Ed. B.Riemschneider & U.Grosenick, Taschen Verlag. |
| 2001 |
Michael
Hierholzer, Wenn sich Boden und Decke wölben, Frankfurter
Algemeine, 3.2.01 |
| |
exh.
cat. A little bit of history repeated, Kunst-Werke Berlin, p.
20/21. |
| |
exh.
cat. Maskuliniteter, Nikolaj Contemporary Art Center, Copenhagen |
| |
exh.
cat. I like theater & theater likes me, Deutsches Schauspielhaus
in Hamburg, pp. 10-15. |
| |
exh.
cat. egofugal, 7th International Istanbul Biennial, Turkey |
| |
exh.
cat. audit, Casino Luxembourg, Forum d' art contemporain, Rent,
Jacob Fabricius, pp. 48-53. |
| |
exh.
cat. From #4, July, Witte de With, Center for Contemporary Art,
Rotterdam, Breeze od AIR/Hortus Conclusus, Introduction by Tanya
Elstgeest, pp. 74-77. |
| |
Monograhy,
Elmgreen & Dragset: A Room Defined by its Accessibility, Ed.
Sven Bjerregaard/ Marianne Torp, Statens Museum for Kunst, Copenhagen.
|
| |
die
tageszeitung, Oct. 13/14, Neuer Initiationsritus, Petra Schellen,
p. 27. |
| |
Trans>Arts.
Cultures. Media, #9/10, Small Twists - Bigger Splashes! A conversation
with Michael Elmgreen & Ingar Dragset, Jens Hoffmann, pp. 294-304. |
| |
Artforum
International, Oct., Michael Elmgreen&Ingar Dragset. Klosterfelde,
Jennifer Allen, pp. 167/168. |
| |
die
tageszeitung, July 12, Pferdeposter im staatlichen Elend, Axel
John Wieder, p. 17. |
| |
Material
5, Borderline, Gianni Jetzer, pp. 89-91. |
| |
Texte
zur Kunst, Juni, 11. Jg., issue 42, Auf gleicher Wellenlänge,
Vanessa Joan Müller, pp. 182-184. |
| |
Osnabrücker
Zeitung, June 15, Blick auf die Erdkugel, Christian Huther. |
| |
die
tageszeitung, May 11, Der Luxus der Leere, Katrin Bettina Müller,
p. 22. |
| |
Journal
Frankfurt, May, NATO-Kunst, Silke Hohmann, p. 47. |
| |
The
Boston Globe, Feb. 20, Exhibition mixes art and architecture,
Christine Temin. |
| |
Frankfurter
Rundschau, Feb. 20, Heute in den verbeulten Portikus. |
| |
Frankfurter
Allgemeine Zeitung, Feb. 14, In der wei§en Zelle schwingt nun
die Frankfurter Welle, Rudolf Schmitz. |
| |
Frankfurter
Neue Presse, Feb. 6, Der Kunstcontainer wird zur Raumskulptur,
Gabriele Nicole. |
| |
Boston
Herald, Feb. 2, Home is where the cliches aren't. Visual Arts,
Joanne Silver. |
| |
Sandra
Danicke, Huch, Frankfurter Rundschau, 3.2.01 |
| 2000 |
exh.
cat. The Port of Pusan, Pusan Contemporary Art Festival, im
Gook, Pusan. exh. cat., Elmgreen & Dragset: Zwischen anderen
Ereignissen, Ed. Jan |
| |
exh.
cat. Century of Innocence -The History of The White Monochrome,
Rooseum, Malmö, pp. 44-45. |
| |
exh.
cat. Museum of Contemporary Art, Sydney, Sporting Life |
| |
exh.
cat. Hugo Boss Prize 2000, Guggenheim, New York, Queering the
cube, Alison. Gingeras, pp. 43-45. |
| |
Artext,
no. 71, Manifesta 3, p. 83. |
| |
Nu:
The nordic art review, vol. II, no. 5, Has the title stolen
the show?, Sara Arrhenius, pp. 78/79. |
| |
Texte
zur Kunst, Sept., issue 39, Auf den zweiten Blick, Sabeth Buchmann,
pp. 200-203. |
| |
Martin
Pesch. Wegen Umbau Geöffnet, Frankfurter Rundschau |
| |
Nick
Dent, Art Beats, Blue Magazine, no. 25 |
| |
Daniel
Birnbaum, Best Of 2000, ArtForum, December |
| |
Hugo
Boss Prize 2000, Guggenheim, Catalogue |
| |
Lars
Bang Larsen, White Out, Frieze, issue 53 |
| |
Jens
Hoffman, Aperto: Performance, Flash Art no. 214 |
| |
Andreas
Schlägl, Flash Art, no. 212 |
| |
Borderline
Syndrome, Manifesta III, catalogue |
| |
Zwischen
anderen Ereignissen, Galerie für Zeitgenössische Kunst,
Leipzig, catalogue |
| 1999 |
A
Fireplace in Harlem, Art/Text no. 66, Aug/Oct, by Lawrence Chua. |
| |
Art
in America, Nov., Bill Arning, pp. 163-164 |
| |
NU,
issue no. 1/99, by Franklin Sirman. |
| |
Nordic
Normads, Frieze issue 45, by Gregory Wiliams. |
| |
New
York Times, Februar 19, by Holland Cotter. |
| |
Signs
of Life, Melbourne Biennial. (catalogue) |
| |
Melting
the ice, ArtNews, Jan 1999, by Alan Jolis. |
| |
Berlin
Biennale, Kunstforum bd. 143, by T. Wulffen a.o. |
| |
Honcho,
June 1999, by Bill Arning. |
| 1998 |
Junge
Szene, Secession. (catalogue) |
| |
ArtForum,
March, Louisiana Exhibition, Alexandre Melo |
| |
Monograhy,
Elmgreen & Dragset: Powerless Structures, M.Kremer, H.U.Obrist,
S.Kofod Olsen, Nifca |
| |
Junge
Szene, Springerin, Sept/Nov 98, by Ruth Mauer. |
| |
Momentum,
Springerin, Sept/Nov 98, by Andrea Kroksnes. |
| |
Powerless
Structures, Solo. (catalogue) |
| |
Berlin/Berlin,
Berlin Biennale. (catalogue) |
| |
Drau§en
und Drinnen, KunstForum, bd. 140, by Michael Hübl. |
| |
Nuit
Blanche, Frieze, Isuue 40, by Sophie Berrebi. |
| |
Loisiana
Exhibition, Art Forum, March 98, by Alexandre Melo. |
| |
Nuit
Blanche, Musée d’art Moderne de la Ville de Paris.
(catalogue) |
| |
Pakkhus,
Momentum, (catalogue) |
| |
beyond
the local context, Siksi, no. 3-4, by Lotte Sandberg. |
| 1997 |
Powerless
Structures, Frieze, issue 34, by Lars Bang Larsen. |
| |
Louisiana
Exhibition. (catalogue) |
| |
Art/Text,
no. 60, Terry S. Meyers. |
| |
Alternative
Learning, Documents sur l’art, no. 11, by Lars Bang Larsen.
|
| 1996 |
Between
You & Me, Danish Cultural Ministry’s Exhibition Space for
Young Art. (catalogue) |
| |
Borealis
8, Arken, Museum of Modern Art, 1995 Index, no. 3-4 95. (catalogue)
|
Public collections
| |
Fundación
ARCO, Madrid, Spain |
| |
Ballroom Marfa / Art Production Fund / Elmgreen & Dragset, Chihuahua Desert, Highway 90 leading into Marfa, Texas, USA |
| |
Bundesrepublik Deutschland, Tiergarten, Berlin, Germany |
| |
Centro de Artes Visuales Helga de Alvear, Cáceres, Spain |
| |
CGAC, Centro Galego de Arte Contemporáneo, Santiago de Compostela, Spain |
| |
Colombus Museum of Art, Ohio, USA |
| |
DekaBank-Kunstsammlung, Frankfurt/Main, Germany |
| |
DAIWA Radiator Factory, Hiroshima, Japan |
| |
Ellipse Foundation, Alcoitâo, Portugal |
| |
Fondazione Morra Greco, Naples, Italy |
| |
The Israel Museum of Modern Art, Jerusalem, Israel |
| |
Kistefos-Museet, Jevnaker, Norway |
| |
Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway |
| |
Thyssen-Bornemisza
Contemporary Art Foundation, Vienna, Austria |
| |
Kunstverein Springhornhof, Neuenkirchen, Germany |
| |
Landbrukshøgskolen på Ås, Norway |
| |
Landesmuseum Münster, Münster, Germany |
| |
Lufthansa Aviation Center, Frankfurt/Main, Germany |
| |
Malmö Konstmuseum, Malmö, Sweden |
| |
The Margulies Collection, Miami, USA |
| |
MCA Museum of Contemporary Art, Chicago, USA |
| |
Migros Museum, Zurich, Switzerland |
| |
Moderna Museet, Stockholm, Sweden |
| |
MUMOK Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria |
| |
Museion- Museum of Modern and Contemporary Art, Bolzano, Italy |
| |
Museum Folkwang (semi-permanent loan from Sammlung Olbricht), Essen, Germany |
| |
Museum Kurhaus Kleve (semi-permanent loan from Sammlung Plum) |
| |
Nasjonalmuseet for Kunst, Arkitektur og Design, Oslo, Norway |
| |
Nordland Fylke, Tranøy, Norway |
| |
Pinakothek der Moderne, Munich, Germany |
| |
Sammlung Christian Boros, Berlin, Germany |
| |
Sammlung Goetz, Munich, Germany |
| |
Sammlung Haubrok, Berlin, Germany |
| |
Hamburger
Bahnhof, Berlin, Germany |
| |
Horsens
Kunstmuseum, Horsens, Denmark |
| |
Louisiana
Museum of Contemporary Art, Humlebæk, Denmark |
| |
Statens
| |