|
Jonathan Monk
Born 1969, Leicester,
Great Britain
Lives and works in Berlin and Glasgow
Solo exhibitions
(Selected)
| 2009 |
Jonathan Monk, The Store, Artissima 16, International Fair of Contemporary Art in Torino, Italy |
| |
Jonathan Monk, The Inflated Deflated, Casey Kaplan Gallery, New York, USA |
| |
Jonathan Monk & Douglas Gordon, Fondazione Morra Greco, Napoli, Italy |
| |
Jonathan Monk, Lisson Gallery, London, United Kingdom |
| 2008 |
Jonathan Monk & David Shrigley Corroborative Paintings, Galeria Estrany De La Mota, Barcelona, Spain |
| |
Apples and Pears and other Fruits of The Forest, Galerie Yvon Lambert, Paris, France |
| |
Jonathan Monk and David Shrigley, Galeria Estrany de la Mota, Barcelona, Spain |
| |
Souvenirs from the East, Meyer Riegger, Karlsruhe, Germany |
| |
Jonathan Monk, Time Between Spaces, Palais de Tokyo, Paris, France |
| |
Jonathan Monk, Time Between Spaces, Musée d'Art Moderne de la Ville de Paris, Paris, France |
| |
Something no less Important than Nothing / Nothing no less Important than Something, Tramway, Glasgow, Scotland |
| 2007 |
New Paintings, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Twodo-Project 2007, Neuer Aachener Kunstverein, Aachen, Germany |
| |
No Title, Y8, Hamburg, Germany * |
| |
Rosso, Base, Florence, Italy |
| |
Lira Hotel, Galeria Sonia Rosso, Torino, Italy |
| |
Somekind of Game Between This and That, Casey Kaplan Gallery, New York, USA |
| |
Jonathan Monk and Peter Roehr, Galerie Mehdi Chouakri, Berlin, Germany |
| 2006 |
Second Hand, Lisson Gallery, London, United Kingdom |
| |
Gallery Hours, Musée d'art contemporain du Val-de-Marne MAC/ Val, Vitry-sur-Seine, France |
| |
Monk Snow, JB Art + Projects, Toronto, Canada |
| |
Yes Bruce Nauman (with Jan Mancuska), Zwirner & Wirth, NY, USA |
| |
Desenhos (Drawings) (with Gabriel Vormstein), A-Z Collection, Madeira, Portugal |
| |
Jonathan Monk & Richard Prince, Galerie Mezzanin, Vienna, Austria |
| |
Yesterday
today tomorrow etc., Haus am Waldsee, Berlin, Germany * |
| |
Yesterday
today tomorrow etc., Kunsthalle Nürnberg * |
| |
Yesterday
today tomorrow etc., Kunstverein St. Gallen Kunstmuseum * |
| |
Yesterday
today tomorrow etc., Kunstverein Hannover, Germany * |
| 2005 |
Some...Time ...Waiting, independent project curated by Adam Carr |
| |
To Infinity and Beyond, Public Art Project at Art 36 Basel, Basel, Switzerland |
| |
In Place and Out of Place, Yvon Lambert, Paris, France |
| |
Two Correlated Rotations, École des Beaux-Arts, Nantes, France |
| |
Continuous Project Altered Daily, ICA,
London, United Kingdom * |
| |
If I Could Turn Back Time, Meyer Riegger, Karlsruhe, Germany |
| |
Miami Calling, The Moore Space, Miami, Florida, USA |
| |
Untitled and Unfinished (Afghanistan), The British School at Rome, Rome, Italy |
| |
Family
of Man, Centre d'art Contemporain Domaine de Kerguéhennec,
Bignan, France * |
| 2004 |
Sculptures,
Neons & Drawings, Galleri Nicolai Wallner, Copenhagen, Denmark
|
| |
Ocean Wave, Künstlerhaus Bremen, Bremen, Germany |
| |
Jonathan Monk: Dutch Details and Other Details, Büro Friedrich, Berlin, Germany |
| |
Time / Explained / Lengthened / Suspended, Sprüth Magers Projekte, Munich, Germany |
| |
The Unrealised Realised, Giò Marconi Gallery, Milan, Italy |
| |
John
Baldessari - Jonathan Monk, Galleri Nicolai Wallner, Copenhagen,
Denmark |
| |
The
Unseen Seen (part II), Galeri Judin Belot, Zurich, Switzerland |
| |
Spazio
Symphonia, Milan, Italy |
| 2003 |
Looking
through a hole large enough for me to see you, but not large
enough for you...., La Salle de Bain, Lyon, France |
| |
Time
and or Space, The Swiss Institute, New York, USA |
| |
The
Unrealised Realised realised in New York, Casey Kaplan, New York,
USA |
| |
I
wear black on the outside because black is how I feel on the
inseide, Galleria Sonia Rosso, Torino, Italy |
| |
The
Unrealised Realised, Galerie Yvon Lambert, Paris, France |
| |
Protected
Works, Lisson Gallery, London, United Kingdom |
| |
During
of the exhibition the gallery will be open, Galerie Jan Mot,
Brussels, Belgium |
| |
Small
Fires Burning, Grazer Kunstverein, Graz, Austria |
| |
Jonathan Monk: Squares Circles Squares exhibited alongside Kazimir Malevitj: Suprematism, The Menil Collection, Houston, Texas, USA |
| |
YES/NO/MAYBE,
Programa Arts Center, Mexico City, Mexico |
| |
Spectacular I, Museum Kunst Palast, Dusseldorf, Germany |
| |
Neither
a borrower, nor a lender be, Arnolfini, Bristol, United Kingdom |
| 2002 |
Small
Works, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
1+1=2,
Meyer Riegger, Karlsruhe, Germany |
| |
repertoire & other works by Jonathan Monk, Galerie Yvon Lambert, Paris, France |
| |
The
366th Sunset, am Parlamentsplatz. Frankfurt am Main (with Isabell
Heimerdinger) |
| |
Yesterday
today tomorrow, Galerie Diana Stigter, Amsterdam, Holland |
| |
How
the world works, LAC, Sigean, France |
| |
Roundabout,
Art Gallery of Ontario, Toronto, Canada |
| |
Today
is just a copy of yesterday (Tel Aviv), Dvir Gallery, Tel Aviv,
Israel |
| |
Free
Lane, Casey Kaplan 10/6, New York, USA |
| |
Jonathan Monk, Atelier Augarten, Center for Contemporary Art, Österreichische Galerie Belvedere, Vienna, Austria |
| 2001
|
Our
trip out west, CAC, Vilnius, Lithuania (with Pierre Bismuth)* |
| |
If
you stare at a printed page for long enough it starts to move,
Galerie Yvon Lambert, Paris, France |
| |
Gyrostasis (with Dave Allen), Workwebart, Köln, Germany |
|
|
You'll
get a bang out of this, Galleri Nicolai Wallner, Copenhagen
Denmnark (with Douglas Gordon) |
| 2000
|
Something
between something and something else, Galleria Sonia Rosso,
Pordenone, Italy |
| |
LeSpot,
Le Havre, France |
| |
Sollewittonehundredcubescantz....,
Meyer Riegger, Karlsruhe, Germany |
| |
Tea Party at 136 and other Works,
Yvon Lambert, Paris, France |
| 1999
|
Meine
Onkel, Meyer Riegger, Karlsruhe, Germany |
| |
...and
do you think Phileas Fogg (David Niven) really went around the
world in eighty days..., Casey Kaplan, New York, USA |
| |
...and
in Rumble Fish, does Rusty-James (Matt Dillon)really ride his
brothers motorbike..., Jack Hanley, San Francisco, USA |
| 1998
|
In
search of Gregory Peck, Lisson Gallery, London, United Kingdom |
| |
Some
time spent looking through a window, Francesca Pia, Bern, Schwitzerland |
| |
Jonathan Monk: Tea Party at 136 and Other Works, Galerie
Yvon Lambert, Paris, France |
| |
Galleri
Nicolai Wallner, Copenhagen, Denmark |
| 1997 |
Casey
Kaplan, New York, USA |
| |
Anything
by the Smiths, Centre d'Art Contemporain, Neuchatel, Switzerland |
| 1996 |
Brush with Death, Tramway, Glasgow, Scotland |
| |
Salon
Ryman, FRAC Des Pays de la Loire, Nantes, France |
| |
Crash
Bang Wallop, City Racing, London, United Kingdom |
| |
The Time between the 12th and the 13th of January 1996, Atle
Gerhardsen, Oslo, Norway |
| 1995 |
Lust
for Life, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
The
Agony, The Ecstasy (and some other stuff), Galleri Index, Stockholm,
Sweden |
| |
A
Brush with Death, Tramway, Glasgow, Scotland * |
| 1994
|
Almost
Enough, (video show) CCA, Glasgow, Scotland |
| |
OLD
PECULIAR, Galleri Nicolai Wallner, Copenhagen, Denmark * |
| |
My
Record Collection, Beatnick St., Glasgow, Scotland |
| 1992
|
ON
THE CHEAP, Centre for Contemporary Arts, Glasgow, Scotland |
Group exhibitions (Selected)
| 2010 |
Fische hinter lassen keine spuren, Künstlerhaus Bremen, Germany |
| |
Gallery, Galerie, Galleria, Norma Mangione Gallery, Turin, Italy |
| 2009 |
Gestern oder im 2. Stock - Karl Valentin, Komik und Kunst seit 1948, Münchner Stadtmuseum, München, Germany |
| |
While we are waiting (for the new space), Galleri Nicolai Wallner, Copenhagen, Denmark |
| 2008 |
Let me tell you a story, Porta 33, Funchal, Portugal |
| |
Heavy Metal, Kunsthalle zu Kiel, Germany |
| |
LIBRARY, UOVO Open Office, Berlin, Germany |
| |
Neons, Nomas Foundation, Rome, Italy |
| |
15 Years Anniversary Exhibition, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
(keine) Angst, Kunstverein Ludwigshafen, Germany |
| |
Painting (Still), Galería Elba Benítez, Madrid, Spain |
| |
Not So Minimal, curated by Pedro Alonzo, Vanmoerkerke Collection, Oostende, Belgium |
| |
Die Wahrnehmung von Ideen führt zu Neuen Ideen, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany |
| |
The Hamsterwheel, Malmö Konsthall, Sweden |
| |
Looking Back, Mireille Mosler Ltd., New York, USA |
| |
Recostruction #3: The Artist's Playground, Sudley Castle, Gloustershire, United Kingdom |
| |
Book-ish, The Lewis Glucksman Gallery University College, Cork, Ireland |
| |
Meanwhile in Baghdad, The Renaissance Society, The University of Chicago, Illinois, USA |
| |
Eight Days, Ingleby Gallery, Edinburgh, Scotland |
| |
Superdome, Palais de Tokyo, Paris, France |
| |
Once upon a time, Yvon Lambert, Paris, France |
| |
Six
Feet Under, Deutsches Hygiene-Museum, Dresden, Germany |
| |
Time Pieces, Galerie Jan Mot, Bruxelles, Belgium |
| |
Contemplating Modern Art, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
THE STORE, Tulips & Roses, Vilnius, Lithuania |
| |
The Implications of the Image, El Museo Universitario de Ciencias y Arte, Mexico City, Mexico |
| |
All-Inclusive- Die welt des Tourismus, Schirn Kunsthalle, Frankfurt/Main, Germany |
| |
Jahresgaben 2007/2008, Kunstverein Braunschweig e.V., Braunschweig, Germany |
| |
Tiempo al Tiempo, MARCO Museo de Arte Contemporánea de Vigo, Vigo, Spain |
| |
Triennial of small sculptures 2007, Murska Sobota, Slovenia |
| |
This Winter, Casey Kaplan, New York, USA |
| |
Words Fail Me, Museum of Contemporary Art Detroit, Detroit, USA |
| 2007 |
Idylle.
Traum und Trugschluss, Galerie der Stadt Remscheid, Remsheid, Germany |
| |
Art Protects, Yvon Lambert, Paris, France |
| |
Surrealites - Aspekte des Surrealen in der zeitgenössischen Kunst, Kunsthaus CentrePasquArt - Centre d'art, Biel, Switzerland |
| |
Storyboard, Galerie Mirko Mayer/m-projects, Cologne, Germany |
| |
Learn to read, Tate Modern, London, United Kingdom |
| |
Idiio I, DA2-Domus Artium 2002, Salamanca, Spain |
| |
Light Up, Anselm Dreher, Berlin, Germany |
| |
What's up? Musik und Popkultur, Museum der Stadt Ratingen, Ratingen, Germany |
| |
Timer 01, Triennale Bovisa, Milan, Italy |
| |
Breaking Step - U raskoraku, Museum of Contemporary Art Belgrade, Belgrade, Serbia |
| |
Tanzen, sehen, Museum für Gegenwartskunst Siegen, Siegen, Germany |
| |
Five Ballerinas in Manhattan, Six Actions for New York City, organized by Creative Time, Chinatown, East Village, Greenwich Village, Times Square, SoHo, Central Park, Wall Street, New York, USA |
| |
Story Tellers, Prague Biennale 3, Prague, Czech Republic |
| |
Love Addiction: pratiche video dal '61 ad oggi, Galeria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone |
| |
Made
in Germany, Sprengel Museum Hannover/Kunstverein Hannover/kestnergesellschaft,
Hannover, Germany* |
| |
Been up so long it looks like down to me, Presentation House Gallery, North Vancouver, Canada |
| |
For Sale, Cristina Guerra Contemporary Art, Lisboa, Portugal |
| |
Ver
Bailar, Centro Andaluz de Arte Contemporáneo, Sevilla,
Spain |
| |
Some
time waiting, Kadist Art Foundation, Paris, France |
| |
Tricky, Galeria
Estrany-de la Mota, Barcelona, Spain |
| |
Again: Serial Practices in Contemporary Art, Wadsworth Atheneum, Hartford, CT, USA |
| |
Nothing Moments, Steve Turner Contemporary, Los Angeles, CA & Silverman Gallery, San Francisco, CA, USA |
| |
Arte Povera Now and Then: Perspectives for a New Guerrilla Art, Esso Gallery and Books, New York, USA |
| |
READ Edition, (a fundraising print edition for the ECI Press), curated by Christoph Keller and Kathy Slade, specific object, New York, USA |
| |
Half Square Half Crazy, Villa Arson, Nice, France |
| |
Shoot the Family, organized by iCI, curated by Ralph Rugoff, Sandra and David Bakalar Gallery, MASSArt, Boston, MA, USA |
| |
Silly
Adults, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Um-Kerungen,
Kunstverein Braunschweig, Braunschweig, Germany |
| 2006 |
Anstoß
Berlin - Kunst macht Welt, Haus am Waldsee, Berlin, Germany |
| |
Six
Feet Under, Kunstmuseum Bern, Switzerland |
| |
Drapeaux Gris, CAPC - Musée d'art Contemporain, Bordeaux, France |
| |
1,2,3...Avant-Gardes, Centre for Contemporary Art, Ujazdowski,
Castle, Warsaw, Poland* |
| |
Five Billion Years, Palais de Tokyo, Paris, France |
| |
One Second One Year, Palais de Tokyo, Paris, France |
| |
Personal Affairs, Museum Morsbroich, Leverkusen, Germany
|
| |
Wrong, Klosterfelde, Berlin, Germany |
| |
Into a Journey, Meyer Riegger, Karlsruhe, Germany |
| |
PRC / POV: Photography Now and The Next 30 Years The Photographic Resource Center, Boston, MA, USA |
| |
Collaboration I: Liam Gillick & Jonathan Monk, Casey Kaplan, New York, USA |
| |
The Show Will Be Open When The Show Will Be Closed, curated by Adam Carr, STORE gallery, London, United Kingdom |
| |
Minimalism and After IV, Daimler Chrysler Contemporary, Stuggart, Germany |
| |
The Peace Tower in Day for Night, The 2006 Whitney Biennial, The Whitney Museum of American Art, New York, USA |
| |
Draw a Straight Line and Follow It, The Center for Curatorial Studies, Bard College, Annandale on Hudson, NY |
| |
Message Personnel, Yvon Lambert, Paris, France |
| |
The Known and The Unknown (Curated with Claus Robenhagen), Galleri
Nicolai Wallner, Copenhagen, Denmark |
| |
Space Boomerang, The Swiss Institue, New York, USA |
| |
Inner Go Go,
Vaminali's, Athens, Greece |
| |
Kit-o-Parts,
Centre d'art Neuchatel, Neuchatel, Switzerland |
| |
The
Show Wil Be Open When The Show Will Be Closed, KADIST ART FOUNDATION
and various locations, Paris |
| |
Eye
on Europe: Prints, Books & Multiples/1960 to Now, MOMA, New
York, USA |
| |
1,82,
Haubrokshows, Berlin, Germany |
| |
Idylle.
Traum und Trugschluss, Sammlung Falckenberg, Hamburg, Germany |
| |
Neo-con.
Contemporary Returns to Conceptual Art, apexart, New York, USA |
| |
All
the Best - The Deutsche Bank Collection and Zaha Hadid, Singapore
Art Museum, Singapore |
| |
The interim is mine, Galleria Civica d'arte contemporanea Montevergini, Siracusa, Italy |
| |
New
Photography, The Museum of Modern Art, New York, USA |
| |
Sisyphe. Le jour se lève, MAC's Grand Hornu- Musée des Arts Contemporains, Hornu, Belgium |
| |
Anagramme, MAC's Grand Hornu- Musée des Arts Contemporains, Hornu, Belgium |
| |
Shoot the family, Cranbrook Art Museum, Bloomfield Hills, USA |
| |
Die 90'er - Vom Künstlerbuch zur CD-ROM, Neues Museum Weserburg, Bremen, Germany |
| |
NEOCON - Contemporary Returns to Conceptual Art, The British School at Rome, Rome, Italy
|
| |
Nothing
But Pleasure, BAWAG Foundation, Vienna, Austria |
| |
Chers
Amis, Centre d'art Contemporain Domaine de Kerguéhennec,
Bignan, France |
| |
Chauffe Marcel! A propos de "Mona Lisa", FRAC- Languedoc-Roussilon, Montpellier, France |
| |
Shoot the Family, Knoxville Museum of Art, Knoxville, USA |
| |
Classical: Modern I, DaimlerChrysler Contemporary, Haus Huth, Berlin,
Germany |
| |
Grey Flags, Sculpture Centre, Long Island, New York, USA |
| |
Tokyo Blossoms - The Deutsche Bank Collection meets Zaha Hadid, Hara Museum of Contemporary Art, Tokyo, Japan |
| |
Transmission, Villa Arson, Nice, France |
| |
Tate
Triennial 2006: New British Art, Tate Britain, London, United
Kingdom |
| 2005 |
Post
Notes, ICA, Institute of Contemporary Arts, London, United Kingdom |
| |
The Party, Casey Kaplan, New York, USA |
| |
Punkt und Linie, Fläche und Raum, Overbeck- Gesellschaft, Lübeck, Germany |
| |
Chronos, Cesac- Centro Sperimentale per le Arti Contemporanee, Caraglio |
| |
Daumenkino, Kunsthalle Düsseldorf, Düsseldorf, Germany |
| |
Thank you for the music, Galerie Sprüth Magers, München, Germany |
| |
Press Play, Green on Red Gallery, Dublin, Ireland |
| |
Theorema. Une Collection Privée en Italie, la collection d'Enea Righi, Collection Lambert en Avignon, Avignon, France |
| |
En
Route: Via Another Route. An Exhibition On Board the Trans-Siberian
Train, Moscow to Beijing |
| |
BMW,
The 3rd Baltic Triennale, CAC, Vilnius, Lithuania* |
| |
Lichtkunst aus Kunstlicht, ZKM, Museum für Neue Kunst & Medienmuseum, Karlsruhe, Germany
|
| |
RundLederWelten,
Martin-Gropius-Bau, Berlin, Germany* |
| |
A
Brief History of Invisible Art, CCA Wattis, Institute for Contemporary
Arts, San Francisco, USA* |
| |
Roaming Memories, Ludwig Forum für Internationale Kunst, Aachen, Germany |
| |
General
Ideas, CCA Wattis Institute for Contemporary Arts, San Francisco,
USA* |
| |
Burlesques
Contemporains, Jeu de Paume, Paris, France* |
| |
Dedicated
to you, but you weren't listening, The Power Plant, Toronto,
Canada |
| |
Slide
Show, The Baltimore Museum of Art, Baltimore, USA* |
| |
Saltuna...the
Baltic Sea Experience, Rooseum, Malmö, Sweden |
| |
Archive
in Motion, 50 jahre Documenta, Kunsthalle Fridericianum, Kassel,
Germany* |
| |
Logical
Conclusion: 40 years of rule-base art, PaceWildenstein, New
York, USA* |
| |
(Misunderstandings)
GAM Galeria de Arte Mexicano, Mexico City, Mexico* |
| |
(IN)TENSION,
Beaulieu Gallery, Gent, Belgium |
| |
Today
Is Just A Copy Of Yesterday, Galerie Jan Mot, Brussels, Belgium |
| |
We
Disagree, Andrew Kreps, New York, USA |
| |
Slide Show, CAC- Cincinnati Contemporary Arts Center, Cincinnati, Ohio, USA |
| |
Un
Art de Lecteurs, Universite Rennes, Rennes, France* |
| |
Baby
Shower, Galleri Nicolai Wallner, Copenhagen, Denmark |
| 2004 |
Ulysses,
Atelier Angarten, Vienna, Austria |
| |
Ce
qui reste, Galerie du TNB, Rennes, France* |
| |
per amore, Galleria Civica d'arte contemporanea Montevergini, Siracusa |
| |
Small:
The Object in Film Video and Slide Installation, Whitney Museum
of American Art, New York, USA |
| |
Artists'
Favourites, ICA, London, United Kingdom* |
| |
Entropy:
On the Vanishing Work, AR/GE Kunst Galerie Museum, Bolzano Bozen,
Italy * |
| |
Formalismus.
Moderne Kunst, heute, Kunstverein in Hamburg, Germany* |
| |
Em
Jogo/On Side, CAV, Coimbra, Portugal* |
| |
Gegen
dem Strich, Kunsthalle Baden-Baden, Germany* |
| |
It's
All an Illusion. A Sculpture Project, Migros Museum Zurich,
Switzerland |
| |
Pour les oiseaux, FRAC-Pays de la Loire, Carquefou, France |
| |
Tonight, Studio Voltaire, London, United Kingdom |
| |
Play
List, Palais de Tokyo, Paris, France* |
| |
Five
Billion Years, Swiss Institute, New York, USA |
| |
Mute, Guild & Greyschkul Gallery, New York, USA |
| |
Arbeiten auf Papier / Works on Paper, Sprüth Mager, München, Germany |
| |
Io mi ricordi, Galleria S.A.L.E.S., Rome, Italy |
| |
What Did You Expect, Galerie Jan Mot, Bruxelles, Belgium |
| |
Goodbye to 14th Street, CAsey Kaplna, New York, USA |
| |
Prototype, Contemporary Art from the Joe Friday Collection, Carleton University Art Gallery, Ottawa, Canada |
| |
Terminal Five, Projects fo JFK Airport, New York, USA |
| |
Minimal Artists Try to Make Something Look Like Nothing and Conceptual Artists Try to Make Nothing Look Like Something, or Is it the Other Way Around? (curated by Jonathan Monk), Yvon Lambert, New York, USA |
| |
Inset, Blaffer Gallery- the Art Museum of the University of Houston, Texas, USA |
| |
Ouroboros the Music of the Spheres, CCA- Centre for Contemporary Art, Glasgow, Scotland |
| |
Cave
Birds, Raffaella Cortese, Milan, Italy |
| 2003 |
Awaiting
a Call, CGAC, Santiago de Compostela, Spain* |
| |
XVIIIe Ateliers Internationaux du Frac des Pays de la Loire, FRAC- Pays de la Loire, Carquefou, France |
| |
24/7: Wilno- Nueva York (visa para), Contemporary Art Center Vilnius (CAC), Vilnius, Lithuania |
| |
Living with Duchamp, Tang Museum at Skidmore College, Saratoga Springs, New York, USA |
| |
Air Guitar, Tullie House Museum, Carlisle, Cumbria , United Kingdom |
| |
Dust Memories, Swiss Institute, New York, USA |
| |
Independence, SLG, South London Gallery, London, United Kingdom |
| |
Animations, Kunst-werke Berlin e.V-- KW Institute for Contemporary Art, Berlin, Germany |
| |
Rendez-vous #4, Collection Lambert, Avignon, France |
| |
A
Nova Geomtria, Galeria Fortes Vilaca, Sao Paulo, Brazil |
| |
In
portraiture irrelevance is ugliness, at Museum Schloss Hardenberg,
Velbert-Neviges, Germany |
| |
The
Daimler Chrysler Collection, Museum für Neue Kunst, Karlsruhe,
Germany |
| |
Adorno.
Die Möglichkeit des Unmöglichen, Frankfurter Kunstverein,
Frankfurt, Germany* |
| |
Fue
de Bois, FRAC des pays de la Loire, Nantes, France |
| |
Turbulent
Screen, Edith-Russ-Haus für Media Kunst, Oldenburg, Germany |
| |
Ten
Years Anniversary Exhibition, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
We'll meet you in the lobby, Buyuk Londra Oteli, Istanbul |
| |
Out of Place, Harewood House, United Kingdom |
| |
Utopia Station, (curated by Molly Nesbit, Hans Ulrich Obrist and Rirkrit Tiravanija), 50th International Exhibition of Art, Venice Bienniale, Venice, Italy* |
| |
The
Distance Between Me and You, Lisson Gallery, London, United
Kingdom |
| |
Love,
Magazin 4 Bregenzer Kunstverein, Austria* |
| |
Passing
Water, Artmetropole, Toronto, Canada* |
| |
Perfect
Timeless Repetition, c/o Atle Gerhardsen, Berlin, Germany |
| 2002 |
Jim
Jonathan Kenny Frances and Sol, Stedelijk Museum Bureau, Amsterdam,
The Netherlands |
| |
Animations,
P.S.1, New York, USA* |
| |
Air Guitar, Cornerhouse, manchester, United Kingdom |
| |
Né un 3 septembre, FRAC- Bourgogne, Dijon, France |
| |
Greyscale/CMYK, Tramway, Glasgow, Scotland |
| |
About Belief, SLG South London Gallery, London, United Kingdom |
| |
Kunst
nach kunst, Neues Museum Weserburg, Bremen, Germany* |
| |
The Music in Me, Gesellschaft für Aktuelle Kunst e.V. Bremen, Bremen, Germany |
| |
Basics,
Kunsthalle Bern, Bern, Switzerland |
| |
Summer Cinema, Casey Kaplan, New York, USA |
| |
Superstudio, Yvon Lambert, Paris, France |
| |
Trans Area, Special Video Projects, Yvon Lambert Le Studio, New York, USA |
| |
New, Green on Red Gallery, Dublin, Ireland |
| |
Wordsindeeds, Portland Institute of Contemporary Art, Oregon |
| |
To Whom it May Concern, CCAC Wattis Institute for Contemporary Art, San Francisco, CA, USA |
| |
So Jackie, Galerie P, Brussels, Belgium |
| |
In
between, Kunsthaus Langenthal, Switzerland |
| |
Tableau
Vivants, Kunsthalle, Wien, Austria* |
| |
Photographier,
Collection Lambert, Avignon, France |
| |
No
Return, Sammlung Haubrok, Museum Abteiberg, Mönchengladbach,
Germany * |
| |
Sport in der Zeitgenössischen Kunst,
Kunsthalle Nürnberg, Germany * |
| |
The
Berlin Files, De Chiara Gallery, New York, USA |
| |
Drawing
in Motion, Forum Stadtpark, Graz, Austria |
| |
Minimalism
and after, Collection Daimler Chrysler Berlin, Germany |
| 2001 |
Camoshow,
Museum Wiesbaden, Wiesbaden, Germany* |
| |
Nothing in the Main Hall, Rooseum Center for Contemporary Art, Malmö, Sweden |
| |
Berlin
Biennale2, Berlin, Germany * |
| |
One
for one, Circles no. 4, ZKM Karlsruhe, Germany |
| |
Group
Show, Galeri Nicolai Wallner, Copenhagen, Denmark |
| |
Dévolver, FRAC-Rhône Alpes, IAC Institute d'Art contemporain, Villeurbanne, France |
| |
Moving
pictures, Villa Merkel, Esslingen, Germany* |
| |
Nothing,
CAC Vilnius, Lithuania, (touring) * |
| |
Hunger nach Bildern, Kunsthalle Palazzo, Liestal / Baselland, Switzerland |
| |
Wedding Show, Casey Kaplan, New York, USA |
| |
Rendez-vous #2: Collection Lambert en Avignon, Hôtel de Caumont, Avignon, France |
| |
Rovaniemi, Galerie Yvon Lambert, Paris, France |
| |
City Racing 1988-1998: a partial account, ICA, London, England |
| |
Underneath the Arches: a New Work by Jonathan Monk and an Old Work by Gilbert & George, Büro Friedrich, Berlin, Germany |
| |
Le temps d'un trait, Galerie des Grands Bains Douches de la Plaine, Marseille, France |
| |
Out from under, Dvir, Tel Aviv, Israel |
| |
G3NY13, Casey Kaplan, New York, USA |
| |
Playmakers in Boom!, Manifattura Tabacchi, Florence, Italy |
| |
Jonathan Monk, Galerie Diana Stiger, Amsterdam (with Pierre Bismuth) |
| |
Sol Lewitt, Jonathan Monk, Galerie Yvon Lambert, Paris, Italy |
| |
Le College, Fonds Regional d'art Contemporain, Champagne-Ardenne, France |
| |
L'anonyme, Rencontres Internationales de la Photographie, Arles, France |
| 2000 |
Drive,
Govett-Brewster Art Gallery, New Plymouth, New Zealand |
| |
I
love Paris, Arnolfini, Bristol, United Kingdom |
| |
For
Those About to Rock, Galerie der Stadt Schwaz, Schwaz, Austria |
| |
We want to believe, Sparwasser HQ, Berlin, Germany |
| |
Opening
Show, Casey Kaplan Gallery, New York, USA |
| |
Au-dela
de Spectacle, Centre Pompidou, Paris, France |
| |
Sentimental
Galerie Yvon Lambert, Paris, France |
| |
Urban Hymns, Luckman Gallery, Los Angeles, USA |
| |
Lisson Gallery in Covent Garden, London, United Kingdom |
| |
Le Fou dédoublé, Château d'Oiron, Oiron, France |
| |
Gyrostasis, workweb_art, Cologne, Germany |
| |
I Looked at the City and there was no City, Transfert-Kunst im Urbanen Raum-Art dans l'Espace Urbain, Biel/Bienne, Switzerland |
| |
Century of Innocence, Rooseum, Malmö & Liljevalchs Kunsthalle, Stockholm, Sweden |
| |
Sailing into San Francisco - Three Sailors & One Tatoo, Jack Hanley Gallery, San Francisco, CA, USA |
| |
A
Shot in the Head, Lisson Gallery, London, United Kingdom |
| |
Hair Styling, c/o Coiffures Complices, Paris, France |
| |
Duchamp's Suitcase, perspectives by five European curators, Arnolfini, London, United Kingdom |
| |
10-6,
Casey Kaplan, New York, USA |
| |
The
sky is the limit, Taipei Biennale, Taipei Fine Arts Museum,
Taiwan* |
| |
Rendez-vous
1, Collection Lambert-Musee d'art Contemporain, Avignon, France |
| |
Transfert,
The 10th Swiss Sculpture Exhibition, Bienne, Switzerland |
| |
Diary,
Cornerhouse, Manchester, United Kingdom |
| 1999 |
Bildung,
Grazer Kunstverein, Graz Landscape & Memory, Rosemund Felsen,
Santa Monica, LA, USA |
| |
Lè
Grând Præmière Opénïng Shöw,
Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
L. A. International, Chac-Mool, Los Angeles, USA |
| |
Galerie Yvon Lambert, Paris, France |
| |
Le fou dédoublé–L'idiotie comme strategie contemporaine, touring, Moscow Nijni, Novgorod, Samara, Ekaterinbourg, Chateau d’Oiron |
| |
Landscape Memories,
Rosamund Felsen, Los Angeles, USA |
| |
Let's
get lost, Central St. Martins College of Art, London, United
Kingdom |
| 1998 |
Le Sphere Intime,
Printemps de Cahors, Cahors, France* |
| |
June/July, Casey Kaplan, New York, USA |
| |
1970 N. Bronson Ave., Meyer Riegger Galerie, Karlsruhe, Germany |
| |
View Finders, Übermain, LA, USA |
| |
Biscuit Barrel, Margaret Harvey Gallery, St. Albans, United Kingdom |
| |
J.
Armleder, A. Bulloch, P. Joseph, J. Monk, Studio d'Art
, Le Havre, France |
| |
Work
in progress and or finished, Übermain, LA, USA |
| 1997 |
Des
Histoires en Formes, La Magasin, Centre National d'Art Contemporain de Grenoble, France |
| |
It
always jumps back and finds its way, De Appel, Amsterdam, The
Netherlands |
| |
Waves in Particals Out, CCA, Glasgow, Scotland |
| |
What
is a guy from Leicester, a Swedish girl, a family father and
a gay couple doing on a deserted island between Denmark and
Sweden?, (curated by Jacob Fabricius) Copenhagen, Denmark |
| 1996 |
Triple
Axel, Le Gymnase, Roubaix, France |
| |
All
Girls, Berlin, Germany |
| |
Gallery Artists, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
(Almost) an Evening with Jonathan Monk, Part of Wish You Were Here, De Appel, Amsterdam, Netherlands |
| |
The Most Important Thing in the World: Oasis vs. Blur and Artists who Rock (curated by Bill Arning), Broad Street, New York, USA |
| |
Bad Blood, Glasgow Print Studio, Glasgow, Scotland |
| |
Never a Dumb Moment, The Film and Video Umbrella, London, United Kingdom |
| |
Monstrosities 1, Berlin, Germany |
| |
Host,
OB projects, Amsterdam, The Netherlands |
| |
Insane,
Stupid, Phat, Fuct, Pervert, Concrete Skates, Glasgow, Scotland
|
| |
Objective
Lune, Centre d'art Contemporain Neuchatel, Switzerland |
| |
Transmission,
Globe, Copenhagen, Denmark |
| 1995 |
Art
Against AIDS, Galleri Nicolai Wallner & Galerie Mikael Andersen,
Copenhagen, Denmark |
| |
Ideal
standart summertime, Lisson Gallery, London, United Kingdom |
| |
RAM,
Portalen, Greve, Denmark |
| |
Video Screening, Centre d'Art Contemporain Neuchatel, Switzerland |
| |
One Night Stand, Kunstlerhaus, Oslo, Norway |
| |
Group Show, FRAC Pays-de-Loire, Loire, France |
| |
Art Hotel, Galleri Nicolai Wallner, Copenhagen, Denmark * |
| |
Summer Shorts, CCA TV, CCA, Glasgow, Scotland |
| |
444 and 222 too, South
London Gallery, London, United Kingdom |
| |
Faction
Video, Det Kongelige Danske Kunstakademi, Copenhagen, Denmark
* |
| |
Gang
Warfare, Dallas, USA and IAS, London, United Kingdom |
| |
Summer
Shorts, CCA TV, CCA, Glasgow, Scotland |
| |
External
Links, Glasgow School of art, Glasgow, Scotland |
| |
Making
Work, Salatfadet, (organized by Nicolai Wallner), Copenhagen,
Denmark |
| |
Vajre
gång jag ser dig, (curated by Nicolai Wallner), Malmö,
Sweden |
| |
Vajre
gång jag ser dig, (curated by Nicolai Wallner), Index
Gallery, Stockholm, Sweden |
| 1994
|
Some
of my friends, (curated by Jonathan Monk) Campbells Occasionally,
Copenhagen, Denmark * |
| |
Art
Unlimited, CCA, Glasgow, touring, Manchester, Leeds, London,
United Kingdom * |
| |
Groupshow,
Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Europa
1994, Ratthouse, Munich, Germany |
| |
Modern
Art, Transmission Gallery, Glasgow, Scotland |
| |
Ubergange,
Bubapest Galeria, Budapest * |
| |
Young
Scottish Artists, Overgaden, Copenhagen, Denmark * |
| |
Übergange,
Bratislava, Slovakia * |
| |
On Line, Galleri Nicolai Wallner, Gent, Belgium * |
| |
30
SECS. Plus Title, Transmission Gallery, Glasgow, Scotland |
| |
My
Record Collection, Bentinck Street, Glasgow, Scotland |
| 1993 |
Cadavre
Exquis, The Drawing Centre, New York, USA * |
| |
November
TV, Esther Schipper Gallery, Cologne, Germany |
| |
Unfair
(with Maureen Paley, London) Cologne, Germany * |
| |
Kiss
Alive, Six Pack, Cologne, Germany |
| |
Left
Luggage, Paris, France (touring) |
| |
Ubergange,
Museum Moderna Kunst, Passau, Germany * |
| |
Futura
Book Collection, Nice, France |
| |
Landscape
Painting, Transmission Gallery, Glasgow, Scotland |
| |
Instructions
for Liam Gillick, Gio Marconi Gallery, Milan, Italy * |
| 1992 |
Superprix,
Glasgow, Scotland |
| |
Sale
to European Parliament, Paley Wright Gallery, London, United
Kinigdom |
| |
Salon
Glasgow, Centre for Contemporary Arts, Glasgow, Scotland |
| |
Contact, Transmission
Gallery, Glasgow, Scotland * |
Articles/reviews (Selected)
| 2008 |
"Jonathan
Monk: Palais de Tokyo " by Lillian Davies, ArtForum.com June 2008. |
| 2006 |
"Jonathan
Monk: Pierced Portraits" by Maarten van der Kamp, Mister
Motley, p. 62-63. |
| |
Review
by Dominic Eichler, Frieze, No. 100, Summer |
| |
Nothing
But Pleasure, BAWAG Foundation, Vienna, Austria (exh. cat.) |
| |
"Die
Schönheit der Idee" by Max Küng, Das Magazin,
No. 20, May |
| |
"Jonathan
Monk", text and conversation by Adam Carr, W, Number 8,
February, Zoom feature, p. 14-21 |
| |
"When
an idea begins to cast a shadow" interview with Jonathan
Monk by Jan Verwoert, Piktogram, No. 3 |
| |
"Secrets
or Words Unsaid and then Forgotten", a conversation with
Jonathan Monk by Adam Carr, Neue Review, Number 12, January,
p. 18-19 |
| 2005 |
"...we
don't know when the work will be finished...", interview
with Jonathan Monk, 22 Interviews by Thomas Trummer, Atelier
Augarten (exh. cat) |
| 2004 |
"La
Candid fotocamera di Monk" by Giuliana Scimé, Corriere
della Sera, February 19 |
| 1998 |
"Jonathan
Monk I'imitateur" by D. Perreau, Chugalug the beer, don't
swallow the rules, Artpress no. 236, June, p. 26-30 |
| 1995 |
"Every
time I see you" by Daniel Birnbaum, Siksi no. 3, p. 60
|
|
"Young
at art" by Jonas Ekeberg, Siksi no. 1, p. 12-15 |
Books/Catalogs
| 2008 |
Oliva, Achille Bonito, Neon, Nomas Foundation, Roma, 2008 |
| |
Pimentel, Taiyana, The Implications of the Image, El Museo Universitario de Ciencias y Arte, Mexico City, Mexico, 2008, p. 82 – 83. |
| 2007 |
Jonathan Monk, (artist book) Lynn Valley #3,The reason why I am here is the reason why I am here, Vancouver: Presentation House Gallery and Bywater Bros. Editions, 2007. |
| |
Eveline Bernasconi et al., Made in Germany, Kestner Gesellschaft, Sprengel Museum Hannover, Kunstverein Hannover, Hannover, Ostfildern: Haje Cantz, 2007, p.198-199. |
| |
One in one hundred (child), (Artist Book), Paris: Onestar press, 2007. |
| |
Wiehager, Renate, (ed.), "Jonathan Monk," Minimalism and After, DaimlerChrysler AF, Ostfildren: Hatje Catz Verlag, 2007, p. 366-369. |
| 2006 |
Monk, Jonathan, Jonathan Monk: Until Then…If not Before, lel Domaine de kerguéhennec, Cnetre d'art contemporain, Bignan: Domaine de Kerguéhennec, 2006. |
| |
Pedrosa, Adriano, (ed.), Desenhos [Drawings]: A-Z, Ilha da Madeira: Coleccão Madeira Corporate Services, 2006. |
| |
Gallery Hours, MAC/VAL, Musée D'Art Contemporain, Du Val-De-Marne, France, 2006. |
| |
Koh, Germaine, Prototype: Contemporary Art From Joe Friday's Collection, Ottawa: Carleton University Art Gallery, 2006. |
| |
Laura Hoptman and Peter Eleey (writers and curators), Strange Powers, New York: Creative Time, 2006. |
| |
Hoffmann, Jens, et al., Jonathan Monk: Continuous Project Altered Daily, London: The Institute of Contemporary Arts & Revolver, 2006. |
| |
Grey Flags, The Sculpture Center, Long Island City, New York, May 2006. |
| |
Eye on Europe: Prints, Books & Multiples, 1960 to Now. New York: The Museum of Modern Art, 2006. |
| |
Berg, Stephan, et al., Jonathan Monk: Yesterday, Today, Tomorrow, Etc., Frankfurt, Germany: Revolver-Verlag, 2006. |
| |
Rugoff, Ralph, ed., Shoot the Family. New York: Independent Curators International, 2006. |
| 2005 |
Rugoff, Ralph, ed., A Brief History of Invisible Art. San Francisco, CA: California College of the Arts, 2005. |
| |
Alexander, Darsie, ed., Slide Show, Baltimore, MD: The Baltimore Museum of Art & The Pennsylvania State University Press, 2005. |
| |
Perrella, Christiana, ed., Winged Mirror, Rome, Italy: Contemporary Arts Programme, The British School at Rome, 2005. |
| |
Glimcher, Marc, ed. Logical Conclusions: 40 Years of Rule-Based Art New York: PaceWildenstein, 2005. |
| 2004 |
Dziewior, Yilmaz, et. al, Formalism. Modern Art, Today. Germany: Kunstverein Hamburg & Hatje Cantz Verlag, 2004. |
| |
The Next Documenta Should Be Curated By An Artist, curated by Jens Hoffmann, Electronic Flux Corporation with Revolver Books, 2004. |
| 2003 |
"Somewhere Between Here and There", Le Spot, Le Havre, France, 2003. |
| |
Higgs, Matthew, ed. Jonathan Monk, Lisson Gallery, London and Galerie Yvon Lambert, Paris, 2003. |
| |
Love, curated by Judith Reichart and Wolfgang Fetz, Palais Thurn und Taxis, Bregenz, Austria, 2003. |
| |
Cream3: 100 Artists, 10 Curators, 10 Source Artists, Phaidon Press, London, 2003. |
| 2002 |
Art Now: 137 Artists at the Rise of the New Millennium, Edited by Uta Grosenick&Burkhard Riemschneider, Taschen, Cologne and Berlin, May 2002, p. 300-303. |
|
Charley, ed Maurizio Cattelan, Bettina Funcke, Massimiliano Gioni & Ali Subotnick, Italy 2002. |
| |
Grosenick, Uta and Burkhard Riemschneider, eds. Art Now: 137 Artists at the Rise of the New Millennium, Taschen Books, 2002. |
| |
Keller, Christoph, ed. Sur.faces: Interviews: 2001/02, Archiv für aktuellen Kunst, Frankfurt am Main, Germany, 2002. |
| |
Keller, Christoph, ed. Circles. Socializing, Networking & Peer-Grouping in Contemporary Art,Center for Art and Media, Archiv für aktuellen Kunst, Frankfurt am Main, Germany, 2002. |
| |
Keller, Christoph, ed. None of the Buildings on Sunset Strip, Archiv für aktuellen Kunst, Frankfurt am Main, Germany, 2002. |
| |
Keller, Christoph, ed. P: Potato print children’s book, Archiv für aktuellen Kunst, Frankfurt am Main, Germany, 2002. |
| 2001 |
Keller, Christoph, ed. Camobook, Museum Wiesbaden, 2001. |
| 2000 |
Meeting #13 (Artist Book), Paris: Editions Yovn Lambert/ Book Works, 2000. |
| 1999 |
Comic Book, (Artist Book) Paris: Editions Yvon Lambert, 1999. |
| |
Jonathan Monk 2, Archiv für aktuelle Kunst, Stuttgart, Germany,1999. |
| 1997 |
Unbuilt Roads, 107 Unrealized Projects, Obrist, Hans-Ulrich, Musee D'Art Moderne de la ville de Paris, Paris 1997. |
| |
"Photographs of Jonathan Monk and Alexis Vaillant," Kunst Bulletin, June 1997. |
| 1996 |
Jonathan Monk, Tramway, Glasgow, Scotland and Frac des Pays de la Loire, Nantes, France, 1996. |
|
|