|
Jonathan Monk
Born 1969, Leicester,
Great Britain
Lives and works in Berlin and Glasgow
Solo exhibitions
(Selected)
| 2009 |
Jonathan Monk, Lisson Gallery, London, United Kingdom |
| 2008 |
Jonathan Monk & David Shrigley Corroborative Paintings, Galeria Estrany De La Mota, Barcelona, Spain |
| |
Apples and Pears and other Fruits of The Forest, Galerie Yvon Lambert, Paris, France |
| |
Jonathan Monk and David Shrigley, Galeria Estrany de la Mota, Barcelona, Spain |
| |
Jonathan Monk, Time Between Spaces, Palais de Tokyo, Paris, France |
| |
Jonathan Monk, Time Between Spaces, Musée d'Art Moderne de la Ville de Paris, Paris, France |
| |
Jonathan Monk, Tramway, Glasgow, Scotland |
| 2007 |
New Paintings, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Twodo-Project 2007, Neuer Aachener Kunstverein, Aachen, Germany |
| |
No Title, Y8, Hamburg, Germany |
| |
Rosso, Base, Florence, Italy |
| |
Lira Hotel, Galeria Sonia Rosso, Torino, Italy |
| |
Somekind of Game Between This and That, Casey Kaplan Gallery, New York, USA |
| |
Jonathan Monk and Peter Roehr, Galerie Mehdi Chouakri, Berlin, Germany |
| 2006 |
Second Hand, Lisson Gallery, London, United Kingdom |
| |
Gallery Hours, Musée d'art contemporain du Val-de-Marne MAC/ Val, Vitry-sur-Seine, France |
| |
Monk Snow, JB Art+Projects, Toronto, Canada |
| |
Jonathan Monk & Richard Prince, Galerie Mezzanin, Vienna, Austria |
| |
Yesterday
today tomorrow etc., Haus am Waldsee, Berlin, Germany * |
| |
Yesterday
today tomorrow etc., Kunsthalle Nürnberg * |
| |
Yesterday
today tomorrow etc., Kunstverein St. Gallen Kunstmuseum * |
| |
Yesterday
today tomorrow etc., Kunstverein Hannover, Germany * |
| 2005 |
Some...Time ...Waiting, independent project curated by Adam Carr |
| |
To Infinity and Beyond, Public Art Project at Art 36 Basel, Basel, Switzerland |
| |
In Place and Out of Place, Yvon Lambert, Paris, France |
| |
Continuous Project Altered Daily, ICA,
London, United Kingdom * |
| |
Jonathan Monk, Meyer Riegger, Karlsruhe, Germany |
| |
Miami Calling, The Moore Space, Miami, Florida, USA |
| |
Untitled and Unfinished (Afghanistan), The British School at Rome, Rome, Italy |
| |
Family
of Man, Centre d'art Contemporain Domaine de Kerguéhennec,
Bignan, France * |
| 2004 |
Sculptures,
Neons & Drawings, Galleri Nicolai Wallner, Copenhagen, Denmark
|
| |
Ocean Wave, Künstlerhaus Bremen, Bremen, Germany |
| |
Jonathan Monk: Dutch Details and Other Details, Büro Friedrich, Berlin, Germany |
| |
Jonathan Monk, Sprüth Magers Projekte, Munich, Germany |
| |
Jonathan Monk, Giò Marconi Gallery, Milan, Italy |
| |
John
Baldessari - Jonathan Monk, Galleri Nicolai Wallner, Copenhagen,
Denmark |
| |
The
Unseen Seen (part II), Galeri Judin Belot, Zurich, Switzerland |
| |
Spazio
Symphonia, Milan, Italy |
| 2003 |
Looking
through a hole large enough for me to see you, but not large
enough for you...., La Salle de Bain, Lyon, France |
| |
Time
and or Space, The Swiss Institute, New York, USA |
| |
The
Unrealised Realised realised in New York, Casey Kaplan, New York,
USA |
| |
I
wear black on the outside because black is how I feel on the
inseide, Galleria Sonia Rosso, Torino, Italy |
| |
The
Unrealised Realised, Galerie Yvon Lambert, Paris, France |
| |
Protected
Works, Lisson Gallery, London, United Kingdom |
| |
During
of the exhibition the gallery will be open, Galerie Jan Mot,
Brussels, Belgium |
| |
Small
Fires Burning, Grazer Kunstverein, Graz, Austria |
| |
YES/NO/MAYBE,
Programa Arts Center, Mexico City, Mexico |
| |
Spectacular I, Museum Kunst Palast, Dusseldorf, Germany |
| |
Neither
a borrower, nor a lender be, Arnolfini, Bristol, United Kingdom |
| 2002 |
Small
Works, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
1+1=2,
Meyer Riegger, Karlsruhe, Germany |
| |
repertoire & other works by Jonathan Monk, Galerie Yvon Lambert, Paris, France |
| |
The
366th Sunset, am Parlamentsplatz. Frankfurt am Main (with Isabell
Heimerdinger) |
| |
Yesterday
today tomorrow, Galerie Diana Stigter, Amsterdam, Holland |
| |
How
the world works, LAC, Sigean, France |
| |
Roundabout,
Art Gallery of Ontario, Toronto, Canada |
| |
Today
is just a copy of yesterday (Tel Aviv), Dvir Gallery, Tel Aviv,
Israel |
| |
Free
Lane, Casey Kaplan 10/6, New York, USA |
| |
Jonathan Monk, Atelier Augarten, Center for Contemporary Art, Österreichische Galerie Belvedere, Vienna, Austria |
| 2001
|
Our
trip out west, CAC, Vilnius, Lithuania (with Pierre Bismuth)* |
| |
If
you stare at a printed page for long enough it starts to move,
Galerie Yvon Lambert, Paris, France |
|
|
You'll
get a bang out of this, Galleri Nicolai Wallner, Copenhagen
Denmnark (with Douglas Gordon) |
| 2000
|
Something
between something and something else, Galleria Sonia Rosso,
Pordenone, Italy |
| |
LeSpot,
Le Havre, France |
| |
Sollewittonehundredcubescantz....,
Meyer Rigger, Karlsruhe, Germany |
| |
Sentimental,
Yvon Lambert, Paris, France |
| 1999
|
Meine
Onkel, Meyer Riegger, Karlsruhe, Germany |
| |
...and
do you think Phileas Fogg (David Niven) really went around the
world in eighty days..., Casey Kaplan, New York, USA |
| |
...and
in Rumble Fish, does Rusty-James (Matt Dillon)really ride his
brothers motorbike..., Jack Hanley, San Francisco, USA |
| 1998
|
In
search of Gregory Peck, Lisson Gallery, London, United Kingdom |
| |
Some
time spent looking through a window, Francesca Pia, Bern, Schwitzerland |
| |
Jonathan Monk: Tea Party at 136 and Other Works, Galerie
Yvon Lambert, Paris, France |
| |
Galleri
Nicolai Wallner, Copenhagen, Denmark |
| 1997 |
Casey
Kaplan, New York, USA |
| |
Anything
by the Smiths, Centre d'Art Contemporain, Neuchatel, Switzerland |
| 1996 |
Brush with Death, Tramway, Glasgow, Scotland |
| |
Salon
Ryman, FRAC Des Pays de la Loire, Nantes, France |
| |
Crash
Bang Wallop, City Racing, London, United Kingdom |
| |
Atle
Gerhardsen, Oslo, Norway |
| 1995 |
Lust
for Life, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
The
Agony, The Ecstasy (and some other stuff), Galleri Index, Stockholm,
Sweden |
| |
A
Brush with Death, Tramway, Glasgow, Scotland * |
| 1994
|
Almost
Enough, (video show) CCA, Glasgow, Scotland |
| |
OLD
PECULIAR, Galleri Nicolai Wallner, Copenhagen, Denmark * |
| |
My
Record Collection, Beatnick St., Glasgow, Scotland |
| 1992
|
ON
THE CHEAP, Centre for Contemporary Arts, Glasgow, Scotland |
Group exhibitions (Selected)
| 2008 |
Let me tell you a story:, Porta 33, Funchal, Portugal |
| |
LIBRARY, UOVO Open Office, Berlin, Germany |
| |
Neons, Nomas Foundation, Rome, Italy |
| |
(keine) Angst, Kunstverein Ludwigshafen, Germany |
| |
Painting (Still), Galería Elba Benítez, Madrid, Spain |
| |
Not So Minimal, curated by Pedro Alonzo, Vanmoerkerke Collection, Oostende, Belgium |
| |
Die Wahrnehmung von Ideen führt zu Neuen Ideen, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany |
| |
The Hamsterwheel, Malmö Konsthall, Sweden |
| |
Superdome, Palais de Tokyo, Paris, France |
| |
Once upon a time, Yvon Lambert, Paris, France |
| |
Six
Feet Under, Deutsches Hygiene-Museum, Dresden, Germany |
| |
Time Pieces, Galerie Jan Mot, Bruxelles, Belgium |
| |
Contemplating Modern Art, Galleri Nicolai Wallner, Copenhagen |
| |
THE STORE, Tulips & Roses, Vilnius, Lithuania |
| |
The Implications of the Image, El Museo Universitario de Ciencias y Arte, Mexico City, Mexico |
| |
All-Inclusive- Die welt des Tourismus, Schirn Kunsthalle, Frankfurt/Main, Germany |
| |
Jahresgaben 2007/2008, Kunstverein Braunschweig e.V., Braunschweig, Germany |
| |
Tiempo al Tiempo, MARCO Museo de Arte Contemporánea de Vigo, Vigo, Spain |
| |
Triennial of small sculptures 2007, Murska Sobota, Slovenia |
| |
This Winter, Casey Kaplan, New York, USA |
| |
Words Fail Me, Museum of Contemporary Art Detroit, Detroit, USA |
| 2007 |
dylle.
Traum und Trugschluss, Galerie der Stadt Remscheid, Remsheid, Germany |
| |
Art Protects, Yvon Lambert, Paris, France |
| |
Surrealites- Aspekte des Surrealen in der zeitgenössischen Kunst, Kunsthaus CentrePasquArt- Centre d'art, Biel/Bienne, Switzerland |
| |
Storyboard, Galerie Mirko Mayer/m-projects, Cologne, Germany |
| |
Learn to read, Tate Modern, London, United Kingdom |
| |
Idiio I, DA2-Domus Artium 2002, Salamanca, Spain |
| |
Light Up, Anselm Dreher, Berlin, Germany |
| |
What's up? Musik und Popkultur, Museum der Stadt Ratingen, Ratingen, Germany |
| |
Timer 01, Triennale Bovisa, Milan, Italy |
| |
Breaking Step- U raskoraku, Museum of Contemporary Art Belgrade, Belgrade, Serbia |
| |
Tanzen, sehen, Museum für Gegenwartskunst Siegen, Siegen, Germany |
| |
Five Ballerinas in Manhattan, Six Actions for New York City, organized by Creative Time, Chinatown, East Village, Greenwich Village, Times Square, SoHo, Central Park, Wall Street, New York, USA |
| |
Prague Biennale 3, Prague, Czech Republic |
| |
Love Addiction: pratiche video dal '61 ad oggi, Galeria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone |
| |
Made
in Germany, Sprengel Museum Hannover/Kunstverein Hannover/kestnergesellschaft,
Hannover, Germany* |
| |
Been up so long it looks like down to me, Presentation House Gallery, North Vancouver, Canada |
| |
For Sale, Cristina Guerra Contemporary Art, Lisboa, Portugal |
| |
Ver
Bailar, Centro Andaluz de Arte Contemporáneo, Sevilla,
Spain |
| |
Some
time waiting, Kadist Art Foundation, Paris, France |
| |
Tricky, Galeria
Estrany-de la Mota, Barcelona, Spain |
| |
Silly
Adults, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Um-Kerungen,
Kunstverein Braunschweig, Braunschweig, Germany |
| 2006 |
Anstoß
Berlin - Kunst macht Welt, Haus am Waldsee, Berlin, Germany |
| |
Six
Feet Under, Kunstmuseum Bern, Switzerland |
| |
Drapeaux Gris, CAPC- Musée d'art Contemporain, Bordeaux, France |
| |
1,2,3...Avant-Gardes, Centre for Contemporary Art, Ujazdowski,
Castle, Warsaw, Poland* |
| |
Five Billion Years, Palais de Tokyo, Paris, France |
| |
One Second One Year, Palais de Tokyo, Paris, France |
| |
Personal Affairs, Museum Morsbroich, Leverkusen, Germany
|
| |
The Known and The Unknown (Curated with Claus Robenhagen), Galleri
Nicolai Wallner, Copenhagen, Denmark |
| |
Space Boomerang, The Swiss Institue, New York, USA |
| |
Inner Go Go,
Vaminali's, Athens, Greece |
| |
Kit-o-Parts,
Centre d'art Neuchatel, Neuchatel, Switzerland |
| |
The
Show Wil Be Open When The Show Will Be Closed, KADIST ART FOUNDATION
and various locations, Paris |
| |
Eye
on Europe: Prints, Books & Multiples/1960 to Now, MOMA, New
York, USA |
| |
1,82,
Haubrokshows, Berlin, Germany |
| |
Idylle.
Traum und Trugschluss, Sammlung Falckenberg, Hamburg, Germany |
| |
Neo-con.
Contemporary Returns to Conceptual Art, apexart, New York, USA |
| |
All
the Best - The Deutsche Bank Collection and Zaha Hadid, Singapore
Art Museum, Singapore |
| |
The interim is mine, Galleria Civica d'arte contemporanea Montevergini, Siracusa, Italy |
| |
New
Photography, The Museum of Modern Art, New York, USA |
| |
Sisyphe. Le jour se lève, MAC's Grand Hornu- Musée des Arts Contemporains, Hornu, Belgium |
| |
Anagramme, MAC's Grand Hornu- Musée des Arts Contemporains, Hornu, Belgium |
| |
Shoot the family,Cranbrook Art Museum, Bloomfield Hills, USA |
| |
Die 90'er- Vom Künstlerbuch zur CD-ROM, Neues Museum Weserburg, Bremen, Germany |
| |
NEOCON- Contemporary Returns to Conceptual Art, The British School at Rome, Rome, Italy
|
| |
Nothing
But Pleasure, BAWAG Foundation, Vienna, Austria |
| |
Chers
Amis, Centre d'art Contemporain Domaine de Kerguéhennec,
Bignan, France |
| |
Chauffe Marcel! A propos de "Mona Lisa", FRAC- Languedoc-Roussilon, Montpellier, France |
| |
Shoot the family, Knoxville Museum of Art, Knoxville, USA |
| |
Classical
: Modern I, DaimlerChrysler Contemporary, Haus Huth, Berlin,
Germany |
| |
Grey Flags, Sculpture Centre, Long Island, New York, USA |
| |
Tokyo Blossoms - The Deutsche Bank Collection meets Zaha Hadid,Hara Museum of Contemporary Art, Tokyo, Japan |
| |
Transmission, Villa Arson, Nice, France |
| |
Tate
Triennial 2006: New British Art, Tate Britain, London, United
Kingdom |
| 2005 |
Post
Notes, ICA, Institute of Contemporary Arts, London, United Kingdom |
| |
Shoot the Family, Knoxville Museum of Art, Knoxville, Tennesse, USA |
| |
Punkt und Linie, Fläche und Raum, Overbeck- Gesellschaft, Lübeck, Germany |
| |
Chronos, Cesac- Centro Sperimentale per le Arti Contemporanee, Caraglio |
| |
Daumenkino, Kunsthalle Düsseldorf, Düsseldorf, Germany |
| |
En
Route: Via Another Route. An Exhibition On Board the Trans-Siberian
Train, Moscow to Beijing |
| |
BMW,
The 3rd Baltic Triennale, CAC, Vilnius, Lithuania* |
| |
Lichtkunst aus Kunstlicht, ZKM, Museum für Neue Kunst & Medienmuseum, Karlsruhe, Germany
|
| |
RundLederWelten,
Martin-Gropius-Bau, Berlin, Germany* |
| |
A
Brief History of Invisible Art, CCA Wattis, Institute for Contemporary
Arts, San Francisco, USA* |
| |
Roaming Memories, Ludwig Forum für Internationale Kunst, Aachen, Germany |
| |
General
Ideas, CCA Wattis Institute for Contemporary Arts, San Francisco,
USA* |
| |
Burlesques
Contemporains, Jeu de Paume, Paris, France* |
| |
Dedicated
to you, but you weren't listening, The Power Plant, Toronto,
Canada |
| |
Slide
Show, The Baltimore Museum of Art, Baltimore, USA* |
| |
Saltuna...the
Baltic Sea Experience, Rooseum, Malmö, Sweden |
| |
Archive
in Motion, 50 jahre Documenta, Kunsthalle Fridericianum, Kassel,
Germany* |
| |
Logical
Conclusion: 40 years of rule-base art, PaceWildenstein, New
York, USA* |
| |
(Misunderstandings)
GAM Galeria de Arte Mexicano, Mexico City, Mexico* |
| |
(IN)TENSION,
Beaulieu Gallery, Gent, Belgium |
| |
Today
Is Just A Copy Of Yesterday, Galerie Jan Mot, Brussels, Belgium |
| |
We
Disagree, Andrew Kreps, New York, USA |
| |
Slide Show, CAC- Cincinnati Contemporary Arts Center, Cincinnati, Ohio, USA |
| |
Un
Art de Lecteurs, Universite Rennes, Rennes, France* |
| |
Baby
Shower, Galleri Nicolai Wallner, Copenhagen, Denmark |
| 2004 |
Ulysses,
Atelier Angarten, Vienna, Austria |
| |
Ce
qui reste, Galerie du TNB, Rennes, France* |
| |
per amore, Galleria Civica d'arte contemporanea Montevergini, Siracusa |
| |
Small:
The Object in Film Video and Slide Installation, Whitney Museum
of American Art, New York, USA |
| |
Artists'
Favourites, ICA, London, United Kingdom* |
| |
Entropy:
On the Vanishing Work, AR/GE Kunst Galerie Museum, Bolzano Bozen,
Italy * |
| |
Formalismus.
Moderne Kunst, heute, Kunstverein in Hamburg, Germany* |
| |
Em
Jogo/On Side, CAV, Coimbra, Portugal* |
| |
Gegen
dem Strich, Kunsthalle Baden-Baden, Germany* |
| |
It's
All an Illusion. A Sculpture Project, Migros Museum Zurich,
Switzerland |
| |
Pour les oiseaux, FRAC-Pays de la Loire, Carquefou, France |
| |
Tonight, Studio Voltaire, London, United Kingdom |
| |
Play
List, Palais de Tokyo, Paris, France* |
| |
Five
Billion Years, Swiss Institue, New York, USA |
| |
Inset, Blaffer Gallery- the Art Museum of the University of Houston, Texas, USA |
| |
Ouroboros the Music of the Spheres, CCA- Centre for Contemporary Art, Glasgow, Scotland |
| |
Cave
Birds, Raffaella Cortese, Milan, Italy |
| 2003 |
Awaiting
a Call, CGAC, Santiago de Compostela, Spain* |
| |
XVIIIe Ateliers Internationaux du Frac des Pays de la Loire, FRAC- Pays de la Loire, Carquefou, France |
| |
24/7: Wilno- Nueva York (visa para), Contemporary Art Center Vilnius (CAC), Vilnius, Lithuania |
| |
Living with Duchamp, Tang Museum at Skidmore College, Saratoga Springs, New York, USA |
| |
Air Guitar, Tullie House Museum, Carlisle, Cumbria , United Kingdom |
| |
Dust Memories, Swiss Institute, New York, USA |
| |
Independence, SLG, South London Gallery, London, United Kingdom |
| |
Animations, Kunst-werke Berlin e.V-- KW Institute for Contemporary Art, Berlin, Germany |
| |
Rendez-vous #4, Collection Lambert, Avignon, France |
| |
A
Nova Geomtria, Galeria Fortes Vilaca, Sao Paulo, Brazil |
| |
In
portraiture irrelevance is ugliness, at Museum Schloss Hardenberg,
Velbert-Neviges, Germany |
| |
The
Daimler Chrysler Collection, Museum für Neue Kunst, Karlsruhe,
Germany |
| |
Adorno.
Die Möglichkeit des Unmöglichen, Frankfurter Kunstverein,
Frankfurt, Germany* |
| |
Fue
de Bois, FRAC des pays de la Loire, Nantes, France |
| |
Turbulent
Screen, Edith-Russ-Haus für Media Kunst, Oldenburg, Germany |
| |
Ten
Years, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
The
Distance Between Me and You, Lisson Gallery, London, United
Kingdom |
| |
Love,
Magazin 4 Bregenzer Kunstverein, Austria* |
| |
Passing
Water, Artmetropole, Toronto, Canada* |
| |
Perfect
Timeless Repetition, c/o Atle Gerhardsen, Berlin, Germany |
| 2002 |
Jim
Jonathan Kenny Frances and Sol, Stedelijk Museum Bureau, Amsterdam,
The Netherlands |
| |
Animations,
P.S.1, New York, USA* |
| |
Air Guitar, Cornerhouse, manchester, United Kingdom |
| |
Né un 3 septembre, FRAC- Bourgogne, Dijon, France |
| |
Greyscale/CMYK, Tramway, Glasgow, Scotland |
| |
About Belief, SLG South London Gallery, London, United Kingdom |
| |
Kunst
nach kunst, Neues Museum Weserburg, Bremen, Germany* |
| |
The Music in Me, Gesellschaft für Aktuelle Kunst e.V. Bremen, Bremen, Germany |
| |
Basics,
Kunsthalle Bern, Bern, Switzerland |
| |
In
between, Kunsthaus Langenthal |
| |
Tableau
Vivants, Kunsthalle, Wien, Austria* |
| |
Photographier,
Collection Lambert, Avignon, France |
| |
No
Return, Sammlung Haubrok, Museum Abteiberg, Mönchengladbach,
Germany * |
| |
Sport,
Kunsthalle Nürnberg, Germany * |
| |
The
Berlin Files, De Chiara Gallery, New York, USA |
| |
Drawing
in Motion, Forum Stadtpark, Graz |
| |
Minimalism
and after, Collection Daimler Chrysler Berlin, Germany |
| 2001 |
Camoshow,
Museum Wiesbaden, Weisbaden* |
| |
Nothing in the Main Hall, Rooseum Center for Contemporary Art, Malmö, Sweden |
| |
Berlin
Biennale2, Berlin, Germany * |
| |
One
for one, Circles no. 4, ZKM Karlsruhe, Germany |
| |
Group
Show, Galeri Nicolai Wallner, Copenhagen, Denmark |
| |
Dévolver, FRAC-Rhône Alpes, IAC Institute d'Art contemporain, Villeurbanne, France |
| |
Moving
pictures, Villa Merkel Esslingen* |
| |
Nothing,
CAC Vilnius, Lithuania, (touring) * |
| 2000 |
Drive,
Govett-Brewster Art Gallery, New Plymouth, New Zealand |
| |
I
love Paris, Arnolfini, Bristol, United Kingdom |
| |
For
Those About to Rock, Galerie der Stadt Schwaz, Schwaz, Austria |
| |
We want to believe, Sparwasser HQ, Berlin, Germany |
| |
Opening
Show, Casey Kaplan Gallery, New York, USA |
| |
Au-dela
de Spectacle, Centre Pompidou, Paris, France |
| |
Sentimental
Galerie Yvon Lambert, Paris, France |
| |
A
shot in the head, Lisson Gallery, London, United Kingdom |
| |
10-6,
Casey Kaplan, New York, USA |
| |
The
sky is the limit, Taipei Biennale, Taipei Fine Arts Museum,
Taiwan* |
| |
Rendez-vous
1, Collection Lambert-Musee d'art Contemporain, Avignon, France |
| |
Transfert,
The 10th Swiss Sculpture Exhibition, Bienne, Switzerland |
| |
Diary,
Cornerhouse, Manchester, United Kingdom |
| 1999 |
Bildung,
Grazer Kunstverein, Graz Landscape & Memory, Rosemund Felsen,
Santa Monica, LA, USA |
| |
Lè
Grând Præmière Opénïng Shöw,
Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Lisson
Gallery at Chacmool, LA, USA |
| |
Landscape Memories,
Rosamund Felsen, Los Angeles, USA |
| |
Let's
get lost, Central St. Martins College of Art, London, United
Kingdom |
| 1998 |
Le
Printemps de Cahors, Cahors, France* |
| |
Group
exhibition, Casey Kaplan, New York, USA |
| |
J.
Armleder, A. Bulloch, P. Joseph, J. Monk, Studio Dárt
, Le Havre, France |
| |
Work
in progress and or finished, ûbermain, LA, USA |
| 1997 |
Des
Histoires en Formes, Magasin, Grenoble, France |
| |
It
always jumps back and finds its way, De Appel, Amsterdam, The
Netherlands |
| |
What
is a guy from Leicester, a Swedish girl, a family father and
a gay couple doing on a deserted island between Denmark and
Sweden?, (curated by Jacob Fabricius) Copenhagen, Denmark |
| 1996 |
Triple
Axel, Le Gymnase, Roubaix, France |
| |
All
Girls, Berlin, Germany |
| |
Host,
OB projects, Amsterdam, The Netherlands |
| |
Insane,
Stupid, Phat, Fuct, Pervert, Concrete Skates, Glasgow, Scotland
|
| |
Objective
Lune, Centre d'art Contemporain Neuchatel, Switzerland |
| |
Transmission,
Globe, Copenhagen, Denmark |
| 1995 |
Art
Against AIDS, Galleri Nicolai Wallner & Galerie Mikael Andersen,
Copenhagen, Denmark |
| |
Ideal
standart summertime, Lisson Gallery, London, United Kingdom |
| |
RAM,
Portalen, Greve, Denmark |
| |
South
London Gallery, London, United Kingdom |
| |
Faction
Video, Det Kongelige Danske Kunstakademi, Copenhagen, Denmark
* |
| |
Gang
Warfare, Dallas, USA and IAS, London, United Kingdom |
| |
Summer
Shorts, CCA TV, CCA, Glasgow, Scotland |
| |
External
Links, Glasgow School of art, Glasgow, Scotland |
| |
Making
Work, Salatfadet, (organized by Nicolai Wallner), Copenhagen,
Denmark |
| |
Vajre
gång jag ser dig, (curated by Nicolai Wallner), Malmö,
Sweden |
| |
Vajre
gång jag ser dig, (curated by Nicolai Wallner), Index
Gallery, Stockholm, Sweden |
| 1994
|
Some
of my friends, (curated by Jonathan Monk) Campbells Occasionally,
Copenhagen, Denmark * |
| |
Art
Unlimited, CCA, Glasgow, touring, Manchester, Leeds, London,
United Kingdom * |
| |
Groupshow,
Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Europa
1994, Ratthouse, Munich, Germany |
| |
Modern
Art, Transmission Gallery, Glasgow, Scotland |
| |
Ubergange,
Bubapest Galeria, Budapest * |
| |
Young
Scottish Artists, Overgaden, Copenhagen, Denmark * |
| |
Ubergange,
Bratislava, Slovakia * |
| |
30
SECS. Plus Title, Transmission Gallery, Glasgow, Scotland |
| |
My
Record Collection, Bentinck Street, Glasgow, Scotland |
| 1993 |
Cadavre
Exquis, The Drawing Centre, New York, USA * |
| |
November
TV, Esther Schipper Gallery, Cologne, Germany |
| |
Unfair
(with Maureen Paley, London) Cologne, Germany * |
| |
Kiss
Alive, Six Pack, Cologne, Germany |
| |
Left
Luggage, Paris, France (touring) |
| |
Ubergange,
Museum Moderna Kunst, Passau, Germany * |
| |
Futura
Book Collection, Nice, France |
| |
Landscape
Painting, Transmission Gallery, Glasgow, Scotland |
| |
Instructions
for Liam Gillick, Gio Marconi Gallery, Milan, Italy * |
| 1992 |
Superprix,
Glasgow, Scotland |
| |
Sale
to European Parliament, Paley Wright Gallery, London, United
Kinigdom |
| |
Salon
Glasgow, Centre for Contemporary Arts, Glasgow, Scotland |
| |
Contact, Transmission
Gallery, Glasgow, Scotland * |
Articles/reviews (Selected)
| 2008 |
"Jonathan
Monk: Palais de Tokyo " by Lillian Davies, ArtForum.com June 2008. |
| 2006 |
"Jonathan
Monk: Pierced Portraits" by Maarten van der Kamp, Mister
Motley, p. 62-63. |
| |
Review
by Dominic Eichler, Frieze, No. 100, Summer |
| |
Nothing
But Pleasure, BAWAG Foundation, Vienna, Austria (exh. cat.) |
| |
"Die
Schönheit der Idee" by Max Küng, Das Magazin,
No. 20, May |
| |
"Jonathan
Monk", text and conversation by Adam Carr, W, Number 8,
February, Zoom feature, p. 14-21 |
| |
"When
an idea begins to cast a shadow" interview with Jonathan
Monk by Jan Verwoert, Piktogram, No. 3 |
| |
"Secrets
or Words Unsaid and then Forgotten", a conversation with
Jonathan Monk by Adam Carr, Neue Review, Number 12, January,
p. 18-19 |
| 2005 |
"...we
don't know when the work will be finished...", interview
with Jonathan Monk, 22 Interviews by Thomas Trummer, Atelier
Augarten (exh. cat) |
| 2004 |
"La
Candid fotocamera di Monk" by Giuliana Scimé, Corriere
della Sera, February 19 |
| 1998 |
"Jonathan
Monk I'imitateur" by D. Perreau, Chugalug the beer, don't
swallow the rules, Artpress no. 236, June, p. 26-30 |
| 1995 |
"Every
time I see you" by Daniel Birnbaum, Siksi no. 3, p. 60
|
|
"Young
at art" by Jonas Ekeberg, Siksi no. 1, p. 12-15 |
Books/Catalogs
| 2008 |
Oliva, Achille Bonito, Neon,Nomas Foundation, Roma, 2008 |
| |
Pimentel, Taiyana, The Implications of the Image, El Museo Universitario de Ciencias y Arte, Mexico City, Mexico, 2008, p. 82 – 83. |
| 2007 |
Jonathan Monk, (artist book) Lynn Valley #3,The reason why I am here is the reason why I am here, Vancouver: Presentation House Gallery and Bywater Bros. Editions, 2007. |
| |
Eveline Bernasconi et al., Made in Germany, Kestner Gesellschaft, Sprengel Museum Hannover, Kunstverein Hannover, Hannover, Ostfildern: Haje Cantz, 2007, p.198-199. |
| |
One in one hundred (child), (Artist Book), Paris: Onestar press, 2007. |
| |
Wiehager, Renate, (ed.), "Jonathan Monk," Minimalism and After, DaimlerChrysler AF, Ostfildren: Hatje Catz Verlag, 2007, p. 366-369. |
| 2006 |
Monk, Jonathan, Jonathan Monk: Until Then…If not Before, lel Domaine de kerguéhennec, Cnetre d'art contemporain, Bignan: Domaine de Kerguéhennec, 2006. |
| |
Pedrosa, Adriano, (ed.), Desenhos [Drawings]: A-Z, Ilha da Madeira: Coleccão Madeira Corporate Services, 2006. |
| |
Gallery Hours, MAC/VAL, Musée D'Art Contemporain, Du Val-De-Marne, France, 2006. |
| |
Koh, Germaine, Prototype: Contemporary Art From Joe Friday's Collection, Ottawa: Carleton University Art Gallery, 2006. |
| |
Laura Hoptman and Peter Eleey (writers and curators), Strange Powers, New York: Creative Time, 2006. |
| |
Hoffmann, Jens, et al., Jonathan Monk: Continuous Project Altered Daily, London: The Institute of Contemporary Arts & Revolver, 2006. |
| |
Grey Flags, The Sculpture Center, Long Island City, New York, May 2006. |
| |
Eye on Europe: Prints, Books & Multiples, 1960 to Now. New York: The Museum of Modern Art, 2006. |
| |
Berg, Stephan, et al., Jonathan Monk: Yesterday, Today, Tomorrow, Etc., Frankfurt, Germany: Revolver-Verlag, 2006. |
| |
Rugoff, Ralph, ed., Shoot the Family. New York: Independent Curators International, 2006. |
| 2005 |
Rugoff, Ralph, ed., A Brief History of Invisible Art. San Francisco, CA: California College of the Arts, 2005. |
| |
Alexander, Darsie, ed., Slide Show, Baltimore, MD: The Baltimore Museum of Art & The Pennsylvania State University Press, 2005. |
| |
Perrella, Christiana, ed., Winged Mirror, Rome, Italy: Contemporary Arts Programme, The British School at Rome, 2005. |
| |
Glimcher, Marc, ed. Logical Conclusions: 40 Years of Rule-Based Art New York: PaceWildenstein, 2005. |
| 2004 |
Dziewior, Yilmaz, et. al, Formalism. Modern Art, Today. Germany: Kunstverein Hamburg & Hatje Cantz Verlag, 2004. |
| |
The Next Documenta Should Be Curated By An Artist, curated by Jens Hoffmann, Electronic Flux Corporation with Revolver Books, 2004. |
| 2003 |
"Somewhere Between Here and There", Le Spot, Le Havre, France, 2003. |
| |
Higgs, Matthew, ed. Jonathan Monk, Lisson Gallery, London and Galerie Yvon Lambert, Paris, 2003. |
| |
Love, curated by Judith Reichart and Wolfgang Fetz, Palais Thurn und Taxis, Bregenz, Austria, 2003. |
| |
Cream3: 100 Artists, 10 Curators, 10 Source Artists, Phaidon Press, London, 2003. |
| 2002 |
Art Now: 137 Artists at the Rise of the New Millennium, Edited by Uta Grosenick&Burkhard Riemschneider, Taschen, Cologne and Berlin, May 2002, p. 300-303. |
|
Charley, ed Maurizio Cattelan, Bettina Funcke, Massimiliano Gioni & Ali Subotnick, Italy 2002. |
| |
Grosenick, Uta and Burkhard Riemschneider, eds. Art Now: 137 Artists at the Rise of the New Millennium, Taschen Books, 2002. |
| |
Keller, Christoph, ed. Sur.faces: Interviews: 2001/02, Archiv für aktuellen Kunst, Frankfurt am Main, Germany, 2002. |
| |
Keller, Christoph, ed. Circles. Socializing, Networking & Peer-Grouping in Contemporary Art,Center for Art and Media, Archiv für aktuellen Kunst, Frankfurt am Main, Germany, 2002. |
| |
Keller, Christoph, ed. None of the Buildings on Sunset Strip, Archiv für aktuellen Kunst, Frankfurt am Main, Germany, 2002. |
| |
Keller, Christoph, ed. P: Potato print children’s book, Archiv für aktuellen Kunst, Frankfurt am Main, Germany, 2002. |
| 2001 |
Keller, Christoph, ed. Camobook, Museum Wiesbaden, 2001. |
| 2000 |
Meeting #13 (Artist Book), Paris: Editions Yovn Lambert/ Book Works, 2000. |
| 1999 |
Comic Book, (Artist Book) Paris: Editions Yvon Lambert, 1999. |
| |
Jonathan Monk 2, Archiv für aktuelle Kunst, Stuttgart, Germany,1999. |
| 1997 |
Unbuilt Roads, 107 Unrealized Projects, Obrist, Hans-Ulrich, Musee D'Art Moderne de la ville de Paris, Paris 1997. |
| |
"Photographs of Jonathan Monk and Alexis Vaillant," Kunst Bulletin, June 1997. |
| 1996 |
Jonathan Monk, Tramway, Glasgow, Scotland and Frac des Pays de la Loire, Nantes, France, 1996. |
Collections
| |
Moderna
Museet, Stockholm, Sweden |
| |
Norton
Collection, Santa Monica, California, USA |
| |
MoMA, New York, USA |
| |
Statens
Museum for Kunst, Copenhagen, Denmark |
| |
FRAC,
Languedoc-Rouyssilla, Montpellier, France |
| |
FRAC,
Bourgogne, Dijon, France |
| |
FRAC,
Limousin, Limoges, France |
| |
FRAC,
Haute Normandie, Sotteville-lès-Rouen, France |
| |
FRAC,
des Pays de la Loire, Nantes, France |
| |
Collection Lambert, Avignon, France |
| |
Augarten Contemporary, Vienna, Austria |
| |
Daimler Contemporary, Berlin, Germany |
| |
Fondazione Morra Greco, Naples, Italy |
| |
TATE Modern, London, United Kingdom |
| |
Solomon R. Guggenheim Museum, New York City, USA |
| |
LACMA, Los Angeles County Museum of Art, Los Angeles, CA, USA |
| |
MMK, Frankfurt, Germany |
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