|
Henrik
Plenge Jakobsen
Born 1967 in Copenhagen,
Denmark
Lives and work in Copenhagen
Education
| 1987-94 |
Royal
Danish Academy of Fine Arts, Copenhagen, Denmark |
| 1992-93 |
Institut
des Hautes Etudes en Art plastique, Paris, France |
| 1992-93
|
Ecole
Nationale Supérieur des Beaux Arts, Paris, France
|
Solo
Exhibitions
| 2007 |
Manhattan Engineering District, FRAC Pays de la Loire, Carquefou, France |
| 2005 |
Circus
Pentium, X-rummet, Statens Museum for Kunst, Copenhagen, Denmark |
| |
J'Accuse,
South London Gallery, London, United Kingdom |
| |
South London Gallery, London, United Kingdom |
| 2004 |
Circus
Portikus, Portikus, Frankfurt, Germany |
| 2003 |
Dialectic
materialism, Galleria Maze, Turin, Italy |
| |
Delirium,
Vin & Sprit Historiska museet, Stockholm, Sweden |
| |
Wiener
Kromatisch, Michael Hall, Vienna, Austria |
| 2001 |
Total
Institutions, CAN, Neuchatel, Switzerland |
| |
Tall,
Magazin 4, Kunstverien, Bregenz, Austria |
| |
Untitled,
New Gallery, University of Miami, Miami, USA |
| 2000 |
Untitled,
Chicago Projectroom, Chicago, USA |
| |
Nasdaq
forever, Galleri Nicolai Wallner, Copenhagen, Denmark |
| 1999 |
IASPIS,
Stockholm, Sweden |
|
Ynglingagatan
2, Stockholm, Sweden |
|
The
End, Museo Do chiado, Lissabon, Portugal |
| 1998
|
Centre
National de la Photograhie, Paris, France |
|
Emmanuel
Perrotin, Paris, France |
|
Chicago
Project Room, Chicago, USA (Catalogue) |
|
Caisse
det Dépot et Consignations, Paris, France |
| 1996
|
Laughing
gas chamber, Galleri Nicolai Wallner, Copenhagen, Denmark |
|
Nitrousoxide,
Sweaborg, Nordic art center, Helsinki, Finland |
| 1995 |
Neutron,
Aperto, FRAC Champagne-Ardennes /ESAD, Reims, France |
| |
Emmanuel
Perrotin, Paris, France |
| 1992 |
Hanig,
Sneid und Speer Lageret, Kunstforeningen, Copenhagen, Denmark |
| 1991 |
A
man with no name is no man, Institute of arthistory, University
of Copenhagen, Denmark |
Projects in collaboration with Jes Brinch (Selection)
| 2000 |
Viva
scanland, Belfast, Ireland |
| 1999 |
Under
the same sky, KIASMA, Helsinki, Finland |
| |
Skandale,
Aarhus Kunstmuseum, Aarhus, Denmark |
| 1998 |
Vienna
Beef, curated by Chicago Project Room, Bricks & Kicks, Vienna,
Austria |
| |
Sex
snack'n pop, Titanik, Turku, Finland |
| |
Sickly
sweet, BCA, London, England |
| |
Artspace,
Sydney, Australia |
| |
Galerie
für Zeitgenössische Kunst Leipzig, Germany |
| 1997
|
Human
Conditions, Kunsthallen, Helsinki, Finland |
| |
Kunsthaus
Glarus, Volkgarten, Switzerland |
| 1996 |
The
Scream, Arken, Museum of Contemporary Art, Ishøj, Denmark |
| |
Traffic,
CAPC, Bordeaux, France (Catalogue) |
| |
Crap
shoot, De Appel, Amsterdam, The Netherlands (Catalogue) |
| |
City
Space, Public art project in Copenhagen, Denmark (Catalogue) |
| |
Shopping,
Public art project in New York, USA (Catalogue) |
| 1995 |
Daycare-center,
AC project room, New York, USA |
| 1994 |
Burn
out - Kindergarten Gallery Nicolai Wallner, Copenhagen, Denmark |
| |
Burn
out - Smashed parking, Temporary Public artwork, Kongens Nytorv,
Copenhagen, Denmark |
Group shows (Selection)
| 2007 |
Silly Adults, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
FUORI USO 2006- ALTERED STATES, National Museum of Contamporary Art (MNAC), Bucharest, Rumenia |
| |
New Economy, Artists Space, New York City, New York, USA |
| |
Mad Love, ARKEN Museum for Moderne Kunst, Copenhagen, Denmark |
| |
The Freak Show, Musée d'art Contemporain Lyon, Lyon, France |
| |
Acceleration, CAN-Centre d'Art Neuchâtel, Neuchâtel, France |
| |
Gaze. Space. Desire, Den Frie Udstillingsbygning, Copenhagen, Denmark |
| |
The Backroom, Kadist Art Foundation, Paris, France |
| |
Oh My God!, Vestfossen Kunstlaboratorium, Vestfossen, Norge |
| |
Tatort Paderborn, Paderborn, Germany |
| 2006 |
Fuori
Uso 06 (Are you experienced?), Galleria Manzo, Pescara, Italy |
| |
Peintres de la vie moderne, Centre pompidou- Musée National d'art Moderne, Paris, France |
| |
Everything
is Wrong, Kunsthalle Palazzo, Leistahl, Switzerland |
| |
Blikfang- highlights fra samlingen, Herning Kunstmuseum, Herning, Denmark |
| |
Around,
Galleria Enrico Fornello, Prato, Italy |
| |
Inside
Out, Bruunsparken, Gothenborg, Sweden |
| |
Bühne
des lebens - Rhetorik des gefühls, Museum Lehnbachhaus,
München, Germany |
| |
Amazing
Friends, Galleria Maze, Turin, Italy |
| |
Esplanaden,
Den Frie Udstillingsbygning, Copenhagen, Denmark |
| |
The
Real World - Sculpture Now, Beyond and Forever! 21/25, Oslo |
| |
Sudden
Impact, Le Plateau, FRAC Ile-de-France, Paris, France |
| |
Exportable
Goods, Krinzinger Projekte, Vienna, Austria |
| |
REGARDING
DENMARK, Ileana Tounta Contemporary Art Centre, Athens, Greece |
| 2005 |
En
Route: Via Another Route. An Exhibition On Board the Trans-Siberian
Train, Moscow to Beijing |
| |
Brutal
Ornamental, Gallerie Kosak Hall, Vienna, Austria |
| |
Populism,
CAC, Vilnius, Lithuania |
| |
Populism,
Stedjeliik Museum, Amsterdam, The Netherlands |
| |
Populism,
Frankfuter Kunstverien, Frankfurt, Germany |
| |
Ophørsudsalg,
Public art project, Copenhagen, Denmark |
| |
The
Backroom, The backroom, Los Angeles, USA |
| |
Post
Notes. ICA, Institute of Contemporary Arts, London, United Kingdom |
| |
Editionen- Pork Salad Press, Wiener Secession, Vienna, Austria |
| |
Baby
Shower, Galleri Nicolai Wallner, Copenhagen, Denmark |
| 2004 |
Adorno.
Die Möglichkeit des Unmöglichen, Frankfurter Kunstverein,
Frankfurt, Germany |
| |
Instant
HERLEV, Herlev, Denmark (catalogue) |
| |
Climats,
Cyclothymie des Paysages, Centre Nationale des Paysages, Vassiviere,
France |
| |
New
Collusion, The Chicago Cultural Center, Chicago, USA |
| |
Socle
du monde, Herning Kunstmuseum, Herning, Denmark |
| |
Salong
100, Heimdalsgata, Oslo, Norway |
| |
Desire,
V1 Gallery, Copenhagen, Denmark |
| 2003 |
Home
Sweet Home, Aarhus Kunstmuseum, Århus, Denmark |
| |
The World, Jousse Enterprise, Paris, France |
| |
Efterårsudstilling, Herning Kunstmuseum, Herning, Denmark |
| |
Ten years anniversary exhibition, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
17 reasons, Jack Hanley Gallery, San Francisco, California, USA |
| |
Adorno- die Möglichkeit des Unmöglichen, Frankfurter Kunstverein, Frankfurt/Main, Germany |
| |
On
stage, Villa Merkel, Esslingen, Germany |
| |
At
your own risk, Kunsthalle Schirn, Frankfurt, Germany |
| |
We
are all sinners, Museo de Arte Contemporáneo de Monterrey,
Monterrey, Mexico |
| |
Hardcore,
Palais de Tokyo, Paris, France |
| |
The
straight or the crooked way, Royal College of Art, London, United
Kingdom |
| 2002 |
Living
like a lover with a Radar Phone, The project, Dublin, Ireland |
| |
DK,
Ecole des Beaux arts Etc. Perpingnan, France |
| |
Fundementalism
and the new order, Charlottenborg, Copenhagen, Denmark |
| |
We
are all sinners, Museo Tamayo Rufino, Mexico City, Mexico |
| |
Hotel
6151, Hotel 6151, Perth, Australia |
| |
Ideal
Avalanche, The Pond, Chicago, USA |
| |
Tutti
normale, Villa Medici, Rome, Italy |
| |
Making
my view, Maze, Torino, Italy |
| |
Dramatic
events, Kent Institute of Art and Design, Kent, United Kingdom |
| |
My
head is on fire but my heart is full of love, Charlottenborg,
Copenhagen |
| |
Magazin
2, Magazin 4, Bregenz, Austria |
| |
On
Stage, Kunstverein Hannover, Hannover, Germany |
| |
Carnegie
Art Award, The National Gallery of Iceland, Iceland |
| 2001 |
Under
Pressure, Swiss Institute, New York, USA |
| |
Make
me feel, Exhibition Centre Helexpo, Greece (catalogue) |
| |
Exhibition2,
IASPIS, Stockholm, Sweden |
| |
Palamino
GZK, Leipzig, Germany |
| |
Untitled,
Dresdner Bank, Frankfurt, Germany |
| |
Group
Show, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Money,
Kulturhuset, Stockholm, Sweden |
| |
Milano
- Europa 2001, Bovisa Art Centre, Milan, Italy |
| |
Interferance,
Palazzo delle Papesse, Siena, Italy |
| |
Hallucinating
Love(curated by Gigiotto del Vecchio), Asprey Jaques Gallery,
London, United Kingdom |
| |
Changes
Possible, public art project, City of Kiel, Germany |
| 2000 |
Artificial
Real, Low, Los Angeles, USA |
| |
Drawings, Sommer Contemporary Art, Tel-Aviv, Israel |
| |
Nader
Poster Project, Chicago, USA |
| |
The
sky is the limit, Taipei Biennal, Taiwan |
| |
Notorious,
Brandts Klædefabrik, Odense, Denmark |
| |
Speculum,
Kunstnernes Hus, Stavanger, Norway |
| |
Interplay,
Museum of Contemporary Art, Oslo, Norway |
| |
Untitled,
Chicago Project Room, Los Angeles, USA |
| |
I
art, Artnode, Stockholm, Sweden |
| |
Edstrandska
Stiftelsens Konstnärsstipendiater, Rooseum, Malmö,
Sweden |
| |
Untitled,
Galleri F-15, Moss, Norway |
| |
Transfert
Kunst in Urbane Raum, Bienne, Switzerland |
| 1999 |
Spread,
Galleri Index, Stockholm, Sweden |
| |
Nordic light, Nordic Scenes in the 1990's, Netherlands Media Art Institute, Amsterdam, Holland |
| |
Pop
Up, Holstebro Kunstmuseum, Holstebro, Denmark |
| |
Hitchcock,
Kunsthalle, Tirol, Austria |
| |
To
be continued, Wallsall, Great Britain |
| |
Good
vibrations, Tomio Koyama, Japan |
| |
Laboratorium,
Antwerpen, Belgium |
| |
Cities
on the move, Nasubi Gallery, Louisiana, Humlebæk, Denmark |
| |
Lè
Grând Præmière Opénïng Shöw,
Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Laughing
gas Performance, X-Art Bar, afterparty for Galleri Nicolai Wallner
opening, Copenhagen, Denmark |
| |
Ain't
odinarely so, Casey Kaplan, New York, USA |
| |
Emmanuel
Perrotin, Paris, France |
| |
Formule2,
Künstlerhaus Bethanien, Berlin, Germany |
| 1998 |
Nuit
Blanche, Museée d'art moderne de la Ville de Paris, France
(Catalogue) |
| |
C.I.A.
of 98, Botkyrka Konsthall, Tumba, Sweden |
| |
Do
all oceans have walls?, Bremen, Germany |
| |
Arkipelago,
Historiska Museet, Stockholm, Sweden |
| 1997 |
Louisiana,
Humlebæk, Denmark |
| |
palace, Beret International Gallery, Chicago, USA |
| |
The
End, Galleri Christian Dam, Copenhagen, Denmark |
| |
Funny
versus Bizarre, Contemporary Art Center of Vilnius, Vilnius,
Lithuania |
| |
Exogen,
Nikolaj Kirke, Copenhagen, Denmark |
| 1996 |
Breict
Bein, Kunstnernes Hus, Oslo, Norway |
| |
Ude
af form, Arken, Museum of modern art, Ishøj, Denmark |
| |
Danish
Sculpture, Aarhus Kunstmuseum, Århus, Denmark |
| |
Christmas
stripping party, Index gallery, Stockholm, Sweden |
| |
Emmanuel
Perrotin, Paris, France |
| |
Opinionmaking,
Nikolai Contemporary Art Center, Copenhagen, Denmark (Catalogue) |
| |
Now
here, Lousiana, Humlebæk, Denmark. (Catalogue) |
| |
Manifesta
1, Rotterdam, The Netherlands (Catalogue) |
| |
Global
Techno2, Passage de Retz, Paris, France |
| 1995 |
Byggeri
for milliarder, Museum of Contemporary Art, Aalborg, Denmark
(Catalogue) |
| |
ARS
95, Museum of Contemporary Art, Helsinki, Finland (Catalogue)
|
| |
RAM,
Portalen, Copenhagen, Denmark. (Catalogue) |
| |
2,
Nikolai Contemporary Art Center, Copenhagen, Denmark |
| |
Videoshow,
Lxx, Aarhus, Denmark |
| |
Art
against AIDS, Gallery Mikael Andersen & Nicolai Wallner, Copenhagen,
Denmark |
| 1994 |
Nordisk
90'tallet Stockholm Art Fair, Stockholm, Sweden (Catalogue) |
| |
Game
Girl - New technological images Shedhalle, Zürich, Switzerland |
| |
Game
Grrrl, Kunstverein München, Munich, Germany |
| |
Rum
for aktuell Konst, openingshow, Gotenborg, Sweden |
| |
Rådskælderen,
Charlottenborg, Copenhagen, Denmark |
| |
Weirdoes,
Saga Basement, Copenhagen, Denmark |
| 1993 |
Shock
Nordsjælland Hornbæk, Denmark (Catalogue) |
| |
7+1
Galleria El diente del tiempo, Valencia, Spain |
| |
Akut
Lunds Konsthall, Lund, Sweden (Catalogue) |
| |
Gallery
Nicolai Wallner, Copenhagen, Denmark |
| |
Overdrive,
Dronningens Tværgade, Copenhagen, Denmark |
| 1992 |
Capio
Overgaden, The Exhibitionhall of the Ministry of Culture, Copenhagen,
Denmark |
| |
Proms
Brandts Klædefabrik, Odense, Denmark (Catalogue) |
Projects & collaborations (Selection)
| 1998 |
Capsule,
Cd rom project, Le Consortium, Dijon, France |
| |
Remarks
on Interventive tendensies in contemporary art, co. organizing
internationel seminar in Copenhagen, Denmark |
| |
Art
Pace, San Antonio, Texas, USA |
| 1996 |
Update,
co-organizing cultural event in Copenhagen, Denmark |
| |
9-dimenesional
theory, Nikolaj Contemporary Artcenter, Copenhagen, Denmark.
In cooperation with Jonas M. Schul |
| 1995 |
Social
Plastic, concept and organization of a seminar at the Royal
Danish Academy of Fine Arts, Copenhagen, Denmark. In cooperation
with Dean Inkster & Superflex |
| |
Atomic
3, Represented by Rum for aktuell konst in Art-attack, UKS,
Oslo, Norway |
| |
Atomic
2, in Oberwelt, Stuttgart, Germany, and in Titanik Turku, Finland |
| 1994 |
Atomic
1 concept and organization of an exhibition in Rum for aktuell
Konst, Göteborg, Sweden |
Public collections
| |
FNAC,
National Contemporay Art Foundation, Paris, France |
| |
Arken,
Museum of Modern Art, Copenhagen, Denmark |
Articles/revievs/publications (Selection)
| 2006 |
Henrik Plenge Jakobsen, J'accuse, Pork Salad Press (book with
texts by Lars Bang Larsen, Marianne Torp, and Karl Holmqvist |
| 2005 |
Flash
Art International no. 241, March-April, review by Anthony Downey
|
| |
Weekendavisen,
25. februar, Interview with the artist by Lisbeth Bonde |
| 2003 |
Home
Sweet Home, exh.cat., Gitte Ørskou (ed.), Aarhus Kunstmuseum,
Århus, Denmark |
| |
Dreaming
Red, Creating ArtPace, Artpace, San Antonio, Texas, USA |
| |
At
your own risk, exh.cat, Kunsthalle Schirn/Revolver-Archiv für
aktuelle kunst, Frankfurt, Germany |
| |
Hardcore,
exh.cat, Palais de Tokyo, Èditions Cercle d'art, Paris,
France |
| |
The
straight or the crooked way, exh.cat, Royal College of Art,
London, United Kingdom |
| 2002 |
Ateliers
1997-2002. Centre National de la Photographie, exh.cat., Régis
Durand (ed.), Centre national de la photographie, Paris, France |
| |
Carnegie
Art Award 2002, exh.cat., Ulrika Levén (ed.), Stockholm,
Sweden |
| |
On
Stage, exh.cat., Kunstverein Hannover, Hannover, Germany |
| |
Stock-Market.
Art and the new economy, by Angela Rosenberg in Flash Art International
no. 11, Milano, Italy |
| |
Interferenze.
Nordic countries, exh.cat., Palazzo Delle Papesse Centreo Art
Contemporanea, Siena. Money, exh.cat., Kulturhuset, Stockholm
|
| |
Tuttonormale,
exh.cat., Accadémie de France á Rome - Villa Médicis,
Rome, Italy |
| 2001 |
Remarks
on interventive tendancies, Borgen/Walther König Verlag
|
| |
Art
Now, Tashen Verlag |
| Who's
zooming who?, by Kate Fowle in [a-n] for artists, July, London,
United Kingdom |
| Henrik
Plenge Jakobsen, exh.cat. (SOLO), Dresdner bank, Frankfurt,
Germany |
| Appendiks:
Motivet i sig selv, in: Det dekonstruerede maleri. Marcel Duchamps
Étant Donnés by Pia Høy, Rævens Sorte
Bibliotek, Copenhagen, Denmark |
|
Laboratorium, exh. book, Hans Ulrich Obrist and Barbara Vanderlinden
(ed.), DuMont, Germany |
| 1998 |
Art
at the Turn of the Millennium, Taschen Verlag |
| |
Blender
no. 3, p.p. 124-128, November, by Karsten R.S. Ifversen |
| |
Public
Domain, Bicycly Thieves, New Art Examinier, p.p. 39-40, October,
by Karl Erickson |
| |
Alternative
Learning: The Copenhagen Scene, Documents, no. 11 p.p. 44-50,
Autumn, by Lars Bang Larsen |
| |
Aperto
Copenhagen, Flash Art p.p. 105 - 107, Summer, by Franklin Sirmans
|
| |
Changing
Realities, New Art Examiner, p.p. 18-23, July/August, by John
Peter Nielson |
| 1997 |
Scania’s
Art Scene, Flash Art, p. 52, November/December, by Flanklin
Sirmans |
| |
Frieze,
issue no. 40, pp. 88-89, May, by Sophie Berrebi |
| |
Frieze,
issue no. 40, pp. 86-87, May, by Lars Bang Larsen |
| |
Aprés
le déluge (Testing the Limits), Artpress no. 232, p.p.40-43,
February, by Clarisse Hahn |
| |
The
Louisiana Exhibition 1997, Artforum, p.p. 111-112, March, by
Alexandre Melo |
| |
Under
the Influence, Poliester no. 20, p.p. 6-16, Autumn, by Kurt
Hollander |
| |
Human
Conditions, Siksi Xll no. 1, p.p. 83-84, Spring, by Liutauras
Psibilskis |
| |
Subversive
Pleasures, Siksi Xll no. 1, p.p. 44 - 49, Spring, by Lars Bang
Larsen |
| 1996 |
Review
of Manifesta 1, Newsweek, July 15, p. 42 |
| |
NowHere
- get lost, Frieze Issue no. 30, p.p.52, September/October,
by Ina Blom |
| |
Traffic,
Flash Art, p.p. 126-127, Summer, by Lars Bang Larsen |
| |
NowHere
- get lost, Frieze Issue no. 30, p.p.52, September/October,
by Ina Blom |
| |
Part
2: Louisiana Techno-Rave, Art in America, December, by Richard
Vine |
| |
Part
l: Louisiana Techno-Rave, Art in America, p.p. 41-47, October,
by Richard Vine |
| |
Traffic,
Siksi no. 1, vol Xl Spring, p.p. 60-61, by Line Rosenvinge Nissen
|
| 1995 |
Young
at art, Siksi no. 1, p.p. 12 - 15, by Jonas Ekeberg |
| |
Burnt
Offering, Village Voice, XL no. 48, by Kim Levin |
| |
Royal
Copenhagen, Siksi no.4, p.p. 8-11, by Tone O. Nielsen & Kristine
Kern |
|
|