|
David Shrigley
Born 1968, Macclesfield,
Great Britain
Lives and works in Glasgow
Education
| 1988-91 |
Glasgow
School of Art, Scotland |
Solo exhibitions
| 2008 |
David Shrigley, books, prints and ephemeras, Christoph Daviet-Thery, Paris, France |
| |
David Shrigley, Anton Kern Gallery, New York, New York, U.S.A |
| |
David Shrigley, BQ, Cologne, Germany |
| 2007 |
Monotypes, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Everything must have a name, Malmö Konsthall, Malmö, Sweden |
| |
CAB, Burgos, Spain |
| |
Stephen Friedman, London, United Kingdom |
| 2006 |
David
Shrigley, Dundee Contemporary Arts, Dundee, United Kingdom |
| |
David
Shrigley: Recent Prints, Edinburgh Printmakers, Edinburgh, Scotland
|
| |
Galerie Yvon Lambert, Paris, France |
| |
New
etchings & woodcuts, Galleri Nicolai Wallner, Copenhagen,
Denmark |
| |
David
Shrigley, Niels Borch Jensen Gallery, Berlin, Germany |
| 2005 |
I'm
exhausted, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
BQ
Galerie, Cologne, Germany |
| |
Anton
Kern Gallery, New York, USA |
| 2004 |
Francesca
Pia, Bern, Switzerland |
| |
Galerie
Yvon Lambert, Paris, France |
| |
Stephen
Friedman, London, England |
| 2003
|
Antidepressants,
Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
BQ
Galerie, Cologne, Germany |
| |
Kunsthaus,
Zurich, Switzerland |
| 2002 |
Camden
Arts Centre, London, England , travelling to Mappin Gallery,
Sheffield, England |
| |
UCLA
Hammer Museum, Los Angeles, U.S.A. |
| |
Domaine
de Kerguehennec, France |
| |
Musee
d'Art Moderne et Contemporain, Geneva, Switzerland |
| |
Anton
Kern Gallery, New York, USA |
| |
FRAC,
Bretagne, France |
| 2001 |
CCS
Museum, Bard College, New York, USA |
|
|
Galerie
Yvon Lambert, Paris, France |
| |
Stephen
Friedman Gallery, London, United Kingdom |
| 2000 |
Galleri
Nicolai Wallner, Copenhagen, Denmark |
| 1999
|
Galerie
Yvon Lambert, Paris, France |
| |
Francesca
Pia, Bern, Switzerland |
| |
Stephen
Friedman Gallery, London, England |
| 1998
|
Galleri
Nicolai Wallner, Copenhagen, Denmark |
| |
Galerie
Yvon Lambert, Paris, France |
| |
Bloom
Gallery, Amsterdam, The Netherlands |
| 1997
|
Francesca
Pia, Bern, Switzerland |
| |
CCA,
Glasgow, Scotland |
| |
Hermetic
Gallery, Milwaukee, USA |
| |
Stephen
Friedman, London, England |
| |
Photographers
Gallery, London, United Kingdom |
| |
Galleri
Nicolai Wallner, Copenhagen, Denmark |
| 1996 |
Contents
of the Gap....., Luxus Cont.e.V., Berlin, Germany |
| |
Catalyst
Arts, Belfast, Northern Ireland |
| 1995 |
Map
Of The Sewer, Transmission Gallery, Glasgow, Scotland |
Group exhibitions
| 2008
|
Pendre la Crémaillère, Sommer & Kohl, Berlin, Germany |
| |
Lots of things like this, apexart, New York, USA |
| |
Contemplating modern art, Galleri Nicolai wallner, Copenhagen, Denmark |
| |
Overkill, Wonderland Art Space, Copenhagen, Denmark |
| |
Laughing in a foreign language, The Hayward, London, United kingdom (exh. cat.) |
| 2007 |
Comix, Brandts, Odense, Denmark (exh. cat.) |
| |
Mad Love, Arken, Ishøj, Denmark (exh. cat.) |
| |
Silly
Adults, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Paper Trails, V1 Gallery, Copenhagen, Denmark |
| 2006
|
Eye
on Europe: Prints, Books & Multiples/1960 to Now, MOMA, New
York, USA |
| |
Chers
Amis, Cce d'art Contemporain Domaine de Kerguéhennec,
Bignan, France |
| |
Under
God's Hammer; William Blake versus David Shrigley, Art Gallery
of Western Australia, Perth |
| |
Old
News, Dunkers Kulturhus, Helsingborg, Sweden |
| |
Humor
Me, Kansas City Art Institute, USA |
| |
The
Compulsive Line: Etching 1900 to Now, MOMA, New York, USA |
| 2005 |
Situation
Comedy, MCA, Chicago, USA |
| |
Emotion
pictures, MUHKA, Antwerp, Belgium |
| 2004
|
About
Corporeality, Galerie Lelong Zürich, Switzerland |
| |
Needful
Things: Recent Multiples, Cleveland Museum of Art, Ohio, USA |
| |
Living
Dust, Norwich Gallery, Norwich, United Kingdom |
| |
Brittania
Works, Xippas Gallery, Athens, Greece |
| |
State
of Play, Serpentine Gallery, London, United Kingdom |
| 2003 |
Splat,
Boom, Pow! The Influence of Cartoons in Contemporary Art, Contemporary
Arts Museum, Houston, USA |
| |
Contemporary
Arts Museum, Houston, USA |
| 2002
|
Gags
and Slapstick in Contemporary Art, CCAC Institute, San Francisco,
USA |
| |
Reality
Check, Various venues |
| |
Sudden
Glory, CCAC, San Francisc, USA |
| |
Jokes,
MAMCO, Geneva, Switzerland |
| |
Collection
Lambert, Avignon, France |
| |
Out
off bounds: works on paper, Luckman Gallery, California State
University, Los Angeles, USA |
| |
Gymnasion,
Bergenz Kunstverein, Palais Thurn & Taxis, Bergenz, curated
by Wolfgang Fetz and Peter Lewis |
| |
Open
Country, Contemporary Scottish Artists, Le Musee cantonal des
Beaux-Arts de Lausanne, Switzerland. |
| |
The
Fantastic Recurrence of Certain Situations: Recent British Art
& Photography, Consejeria de Cultura, Madrid, Spain |
| 2001
|
Out
of Line, Luckman Fine Arts Complex, CSU, Los Angeles, U.S.A. |
| |
Group
Show, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Rendezvous
III, Collection Lambert, Avignon, France |
| |
Televisions,
Kunsthalle Wien, Wien, Austria |
| |
Under
Bridges and Along The River, Casino Luxembourg, Luxembourg |
| |
The
Fantastic Repetition of Certain Situations, Isabel II Madrid,
Spain |
| 2000 |
The
British Art Show 5 , (catalogue) Edinburgh and touring to Southampton,
Cardiff, and Birmingham |
| |
Open
Country, Musee Cantonal des Beaux Arts Lausanne, Switzerland |
| |
One
in the Other, London (with Ewan Gibbs) |
| |
Diary,
Cornerhouse, Manchester, UK, and touring (catalogue) |
| |
Personal
History, The Fruitmarket Gallery, Edinburgh |
| |
Becks
Futures, ICA, London (catalogue) touring to Cornerhouse, Manchester
and CCA |
| 1999
|
Lè
Grând Præmière Opénïng Shöw,
Galleri Nicolai Wallner, Copenhagen, Denmark. |
| |
Free
Coke, Greene Naftali Gallery, New York, U.S.A. |
| |
Bildung-information,
communication and didactics in contemporary fine arts, Grazer
Kunstverein, Graz, Austria |
| |
Getting
the Corners, Or Gallery, Vancouver, Canada |
| |
Ainsi
de suite 3 (deuxi¸me partie), France; curated by Florence Derieux |
| |
Waste
Management, Art Gallery of Ontario, Canada; curated by Christina
Ritchie |
| |
Plug
In, Salon 3, London |
| |
Word
enough to save a life, Word enough to take a life, Clare College
Mission Church, London; curated by Simon Morissey |
| |
Common
People, British Art between Phenomeon and Reality, Fondazione
Sandretto re Rebaudengo per L'arte, Torino, Italy; curated by
Francesco Bonami |
| |
Shopping,
London; organised by FAT GREEN, Exedra (Foundation for Contemporary
Art), Hilversum, NL |
| |
A
Slip Of The Mind, Centre Regional d' art Contemporain Launguedoc-Roussillon,
France. |
| 1998
|
Young
Scene, Wiener Secession, Wien, Austria. |
| |
Surfacing
Š Contemporary Drawing, ICA, London |
| |
Real
Life, Galerie S.A.L.E.S., Rome, Italy. |
| |
Habitat,
Centre for Contemporary Photography, Melbourne, Australia |
| |
Habitat,
Centre for Contemporary photography, Fitzroy (Melbourne), Australia. |
| |
Matthew
Benedict, Yves Chaudou‘t, Anne-Marie Schneider and David Shrigley,
Alexander and Bonin, New York, USA |
| 1997
|
Art
calls, Copenhagen, Denmark. (curated by Jacob Fabricius) |
| |
CCA,
Glasgow, Scotland. |
| |
Tales
of the city, Stills Gallery, Edinburgh, Scotland. |
| |
Blueprint,
De Appel, Amsterdam, the Netherlands. |
| |
Caldas
Biennale, Caldas da Rainha, Portugal. |
| |
About
Life in the Periphery, Wacker Kunst, Darmstadt, Germany. |
| |
Young
British Photography, Stadthaus, Ulm |
| Appetizer,
Free Parking, Toronto, Canada |
| |
Slight,
Norwich Gallery, Norwich, England. |
| 1996
|
Sarah
Staton Superstore, Up & Co, New York, U.S.A. |
| |
Absolute
Blue and White, Inverleith House, Edinburgh, Scotland. |
| |
The
Unbelievable Truth, Stedelijk Museum Bureau, Amsterdam, the
Netherlands, Tramway, Glasgow, Scotland. |
| |
Fucking
Biscuits and other Drawings, Bloom Gallery, Amsterdam, the Netherlands.
|
| |
Big
Girl/Little Girl, Collective Gallery, Edinburgh, Scotland. |
| |
White
Hysteria, Contempory Art Centre of South Australia. |
| |
Toons,
Galleri Campbells Occasionally, Copenhagen. |
| |
Upset,
James Colman Fine Art, London. |
| 1995 |
Scottish
Autumn, Bartok 32 Galeria, Budapest, Hungary. |
| 1994
|
Some
of my friends, Campbells Occasionally, Copenhagen, Denmark.
(curated by Jonathan Monk) (catalogue) |
| |
New
Art in Scotland, CCA, Glasgow, Scotland. (catalogue) |
| 1992 |
In
Here, Transmission Gallery, Glasgow. (catalogue) |
Publications
| 2005
|
The
Book of Shrigley, Redstone Press, London, United Kingdom |
| 2004
|
Blocked
Path, Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Rules,
Redstone Press, London (forthcoming) |
| |
Kill
Your Pets, Revolver, Frankfurt, Germany |
| |
Let's
wrestle, Redstone Press, London, United Kingdom |
| |
Joy,
Chronicle Books, San Francisco (forthcoming) |
| 2003
|
Yellow
Bird With Worm, Kunsthaus Zurich |
| |
Who
I Am And What I Want, Redstone Press, London, United Kingdom |
| |
Evil
Thoughts, Chronicle Books, San Francisco (book of postcards) |
| |
Joy,
Redstone Press, London, United Kingdom |
| |
Leotard,
BQ, Cologne, Germany |
| 2002 |
Human
Achievement, Redstone Press, London, United Kingdom |
| |
Evil
Thoughts, Redstone Press, London, United Kingdom |
| 2001
|
Do
Not Bend, Redstone Press, London, United Kingdom |
| |
Collaboration
with Yoshitomo Nara in Bijutsu Techo |
| 2000
|
Grip,
Pocketbooks, Edinburgh, Ireland |
| |
Hard
Work, Nicolai Wallner, Copenhagen, Denmark |
| |
Weekly
cartoon in the Independent on Sunday |
| 1999
|
The
Beast is near, Redstone Press, London, United Kingdom |
| |
Fel,
Rudins, Sweden, (Swedish translation of Err) |
| 1998
|
To
make Meringue you must beat the egg whites- until they look
like this; Galleri Nicolai Wallner, Copenhagen, Denmark |
| |
Centre
Parting, Little Cockroach Press, Toronto, Canada |
| |
Why
we got the sack from the Museum, Redstone Press, London, England |
| |
Blank
Page and Other pages, The Modern Institute, Glasgow, Scotland |
| 1996
|
Drawings
Done Whilst On Phone To Idiot, The Armpit Press, Glasgow, Scotland |
| |
Let
Not These Shadows Fall Upon Thee, Tramway, Glasgow, Scotland |
| |
Err,
Bookworks, London. Let Not These Shadows Fall Upon thee, Tramway,
Scotland |
| 1995 |
Enquire
Within, The Armpit Press, Scotland |
| 1994 |
Blanket of Filth, The Armpit Press, Scotland |
| 1992
|
Merry
Eczema, Black Rose, Scotland |
| 1991
|
Slug
Trails, Black Rose, Scotland |
Articles and reviews (selected)
| 2007 |
Zwei
Minuten Bilder by Sandra Danicke, Art - Das Kunstmagazin, Nr.
1 Januar, p. 28-36 |
| 2006 |
Shrigley's
simplistic doodles translate into intriguing scenarios, Sunday
Herald, July 30 |
| |
Pop
go the cartoon capers, ScotlandonSunday, July 2, p. 2-3 |
| |
Review
by David Pollock, The List Festival Magazine, August 3-10, p.
67 |
| |
Review
in The Herald, July 20, p. 17 |
| |
Review
in Sunday Herals, July 16, p. 29 |
| |
Misshapes,
review in Printmaking today, Summer, p. 16 |
| 2005 |
Artforum,
summer, review by Emily Hall |
| |
The
Guardian, September 10, review by Laura Barton |
| 2004 |
Flash
Art International No. 239, Review by Eliza Williams |
| |
The
Scotsman, November 8, Ajay Close |
| |
The
List, 10-24 June, interview with the artist |
| |
Art
Review, June 2004, Postcard |
| |
Toronto
Star, 1 May 2004, review by Murray Whyte |
| |
The
Guardian, 19 April 2004 |
| |
Art
Monthly, March 2004, review by Marcus Verhagen |
| 2003 |
I-D,
December 2003, review by Kevin Braddock |
| |
The
Times, 4 November 2003, interview with the artist by Helen Rumbelow
|
| |
The
Independent, November 8, by Deborah Orr |
| |
Time
Out, 24 Sep-1 Oct 2003 |
| |
Maisonneuve,
Fall 2003 |
| |
Artforum,
January |
| |
Flash
Art, May/June by Craig Garrett |
| |
Kunstbulletin,
no 10, October 2003, interview with the artist by Michael Krajewski
|
| 2002 |
Time
Out New York, Oct 31 - Nov 7 |
| |
Art
Review, March 2002 Vol LIII, Review by Morgan Falconer |
| |
Art
Press, September 1, review by Marie de Bugerolle |
| |
Profil
Femmes, June, "Le Mamco s'offre un rire homérique",
review |
| 2001 |
Art
Monthly, April, Mark Wilshire |
| |
The
Big Issue, October 15-21 No 459, review |
| |
Art
on Paper, July-August, review by Michael Wilson |
| |
The
Big Issue, February-March, by Helen Sumpter |
| |
Evening
Standard, 3 April |
| |
What's
on in London, March-April, review by Jim Healy |
| |
ArtReview,
March 2001, Vol. LIII, review |
| 2000 |
Flux
(UK), August, by Jim Medway |
| |
Jonathan
Jones, ŌBeckÕs FuturesÕ, The Guardian, 21 March 2000 |
| |
Creative
Review, October, by Helen Walters |
| |
Time
Out, Oct 11, by Sophie Davies |
| 1999 |
Les
Inrockoptibles, Sept 16-23, by Jade Lindgaard. |
| |
The
Guardian, 23 Mar., by Adrian Searle. |
| |
Time
Out, 31 Mar. 7 Apr., by Martin Coomer. |
| 1998
|
Independent,
November 11, 1998, by Judith Palmer. |
| |
The
Guardian, 5 Dec., by Michael Bracewell. |
| |
Arena,
December 1998. |
| |
New
York Times, 10 July, by Roberta Smith. |
| 1997
|
Art
Monthly, April 1997, by David Beech. |
| |
Tate
Liverpool Magazine, Issue no. 13, 1997. |
| 1996
|
Toons, Flash Art, November/Decmber, by Lars Bang Larsen. |
| |
Circa
(Ireland), Winter, by Mike Wilson. |
| |
Flash
Art, May/ June. |
| |
Public
Art, Art & Design, by Judith Findlay. |
| |
Flash
Art, January/February, by Judith Findlay. |
| 1995
|
Frieze,
November/December, by Michael Bracewell. |
| |
Zing
Magazine (USA), Winter, by Judith Findlay. |
Magazine Projects (selected)
| 2005
|
Guardian
(weekly cartoon every saturday) |
| |
The
Stranger (Seattle, WA, USA) |
| 2001
|
Cabinet
Magazine, Issue 1 |
| 2000
|
Sleaze
Nation, October |
| 1999 |
Independent
On Sunday Review. (Weekly Cartoon 1.99 to 2.00) |
|
1998 |
Insert,
Parkett no. 53, 1998. |
| |
|
| |
|
| |
|
Public Collections
|
| |
Thyssen-Bornemisza
Contemporary Art Foundation, Vienna, Austria |
| |
Museum
of Modern Art, New York, USA |
| |
Statens
Museum for Kunst, Copenhagen, Denmark |
| |
|
| Animations |
|
| |
|
| 2005 |
"Who
I am and what I want", Animate! Comission for Channel 4
(collaboration with Chris Shepherd |
| 2004 |
BBC.co.uk/collective
(weekly animation 'Modern Thought') |
| |
Bonnie
Prince Billy 'Agnes Queen of Sorrow' promo |
| 2003 |
Blur
'Good Song' promo (collaboration with Shynola) |
| 2002 |
"What
happens after you're dead", Channel4.com viro project |
| |
|
| Awards |
|
| |
|
| 2006 |
Winner
of Tiger Short Film Award at Rotterdam Int. Film Festival, The
Netherlands (for "Who I am and what I want") |
| |
Winner
of Public Choice Best Film Award at the British Animation Awards,
United Kingdom (for "Who I am and what I want") |
| |
Winner
of Best Animated Film at Kino Int. Film Festival, Manchester,
United Kingdom (for "Who I am and what I want") |
| |
Winner
of Best Comedy Film at Stuttgart Int. Animation Film Festival,
Germany (for "Who I am and what I want") |
| |
Winner
of Special Mention at Granada Int. Film Festival, Spain (for
"Who I am and what I want") |
| |
Winner
of Best Animated Film at the Wood Green Int. Film Festival,
United Kingdom (for "Who I am and what I want") |
| |
Winner
of Public Choice Award at Ann Arbor Int. Film Festival, USA
(for "Who I am and what I want") |
| |
|
|
|